GENERAL DESCRIPTION
Elongated nabau, the ferocious giant water serpents, are placed along the sides of the central panel, or "main body," to contain the deities on this cloth. These deities include, from bottom to top, six females kneeling with their arms outstretched as if the receive an object; six demigods, each wearing a loincloth and a sword belt decorated with charms and amulets, and dangling a rattan basket containing a freshly taken trophy head; and three rows of humanlike figures who may represent slain enemies. The raised figures were masterfully created by extra wefts inserted during the weaving process.
Pua sungkit were used at religious festivals celebrating the introduction of a new trophy head into the communal longhouse. A ritual performed at such times caused the intense spiritual force of the blanket to transform the potential malevolence of the trophy head into that of goodwill imbued with potency and fecundity.
Excerpt from
Roslyn A. Walker, Label text, 2016.
NOTES
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PROVENANCE
n.d.: Steven G. Alpert, Dallas, Texas, collected at a village in the Katibas River area, Malaysia
1983: Dallas Museum of Art, purchased from above [1]
Notes:
The main source for this provenance is the Pacific American Corp. document titled "Dallas Museum of Art: The Steven G. Alpert Collection of Indonesian Textiles" in the Collections Records file labeled Steven G. Alpert—Indonesian Textiles. Exceptions and other supporting documents are noted.
[1] See pages 1-4 of the correspondence between Harry S. Parker and Pacific American Corp. dated October 5, 1983, in the Collections Records file labeled Steven G. Alpert—Indonesian Textiles.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
- Wikipedia~Learn more about the Iban people.
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1983.131
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General Description
Elongated nabau, the ferocious giant water serpents, are placed along the sides of the central panel, or "main body," to contain the deities on this cloth. These deities include, from bottom to top, six females kneeling with their arms outstretched as if the receive an object; six demigods, each wearing a loincloth and a sword belt decorated with charms and amulets, and dangling a rattan basket containing a freshly taken trophy head; and three rows of humanlike figures who may represent slain enemies. The raised figures were masterfully created by extra wefts inserted during the weaving process.
Pua sungkit were used at religious festivals celebrating the introduction of a new trophy head into the communal longhouse. A ritual performed at such times caused the intense spiritual force of the blanket to transform the potential malevolence of the trophy head into that of goodwill imbued with potency and fecundity.
Excerpt from
Roslyn A. Walker, Label text, 2016.
Fun Facts
Archival Resources
Web Resources
Notes
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
n.d.: Steven G. Alpert, Dallas, Texas, collected at a village in the Katibas River area, Malaysia
1983: Dallas Museum of Art, purchased from above [1]
Notes:
The main source for this provenance is the Pacific American Corp. document titled "Dallas Museum of Art: The Steven G. Alpert Collection of Indonesian Textiles" in the Collections Records file labeled Steven G. Alpert—Indonesian Textiles. Exceptions and other supporting documents are noted.
[1] See pages 1-4 of the correspondence between Harry S. Parker and Pacific American Corp. dated October 5, 1983, in the Collections Records file labeled Steven G. Alpert—Indonesian Textiles.
AUDIO ASSETS
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1983.131
source file
object_notes_2_d-0032.xml.nores