1983.156 Arthur Bowen Davies, Corridor of Summer


GENERAL DESCRIPTION  
Although Arthur B. Davies began as a traditional landscape painter, his style evolved into a highly personal, idiosyncratic one, as this evocative figural composition suggests. The painting's nude figures frolic in a landscape referencing classical mythology, while their sinuous poses pay tribute to the radical gestural movements of modern dance pioneer Isadora Duncan.

Davis exhibited in 1908 with the Eight, the group of painters who broke away from the National Academy of Design to organize their own shows, but remained on good terms with the artistic establishment. As a result, he helped organize the 1913 Armory Show in New York, the landmark exhibition that first exposed American artists and audiences to modern art and thus indelibly changed the course of American art history.

Excerpt from
William Keyse Rudolph, DMA label copy, 2006

NOTES
c. 1910

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Artist/designers
Davies, Arthur Bowen (American, 1862-1928)

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Geography 
Place of origin: United States (nation): TGN: 7012149

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PROVENANCE 
From 1983: Dallas Museum of Fine Arts, gift of Dr. Bernard Cohen, purchased from the Coe Kerr Gallery, New York [1]

[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

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General Description
 
Although Arthur B. Davies began as a traditional landscape painter, his style evolved into a highly personal, idiosyncratic one, as this evocative figural composition suggests. The painting's nude figures frolic in a landscape referencing classical mythology, while their sinuous poses pay tribute to the radical gestural movements of modern dance pioneer Isadora Duncan.

Davis exhibited in 1908 with the Eight, the group of painters who broke away from the National Academy of Design to organize their own shows, but remained on good terms with the artistic establishment. As a result, he helped organize the 1913 Armory Show in New York, the landmark exhibition that first exposed American artists and audiences to modern art and thus indelibly changed the course of American art history.

Excerpt from
William Keyse Rudolph, DMA label copy, 2006

Fun Facts

Archival Resources

Web Resources
 
Notes
c. 1910

Object File Reviewed
Checked Piction


Catalogue essays

Artist/designers
Davies, Arthur Bowen (American, 1862-1928)

Cultures

Geography 
Place of origin: United States (nation): TGN: 7012149

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
From 1983: Dallas Museum of Fine Arts, gift of Dr. Bernard Cohen, purchased from the Coe Kerr Gallery, New York [1]

[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

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1983.156
tags
#draft
#completed
%copyedited_Gail
nude: AAT: 300189568
legs (animal or human components): AAT: 300310192
%Archived
green (color): AAT: 300128438
human figures: AAT: 300404114
oil paint: AAT: 300015050
trees (plants): AAT: 300132410
*American Art
@Russell
United States (nation): TGN: 7012149
abstraction: AAT: 300056508
#routed
nudity (culture-related concepts): AAT: 300262617
flowers (plants): AAT: 300132399
reclining: AAT: 300380165
summer (season): AAT: 300133099
sunset: AAT: 300343635
horizon line: AAT: 300067731
sunrise: AAT: 300343634
arms (animal or human components): AAT: 300310201
forests (cultural landscapes): AAT: 300008863
Davies_Arthur Bowen: ULAN: 500013464
source file
object_notes_2_d-0017.xml.nores