1996.182 Woman's ceremonial skirt (kain inu)


GENERAL DESCRIPTION  
The dominant design features on this early Lampung skirt are a procession of aquatic-like underworld creatures embroidered with silk floss on an indigo ground. Surrounded by earthy ikat tones, these fantastic creatures suggest the earth’s bounty and the highly charged fertility that rites of passage—particularly marriage—embody.

While the exact meaning of this imagery has been lost, it is rooted in the distant past. The anthropomorphic creatures on this ceremonial skirt, with their S-curve bodies and arching tendrils, are similar to those found on the tympanum of cast drums from the region’s Bronze Age. Stylistically, the images belong to a curvilinear artistic tradition that once spanned a vast area, from Asia’s far western steppes to ancient China to the island of Borneo and beyond.

Excerpt from
Roslyn A. Walker, Label text, 2013.

NOTES

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
1996: Dallas Museum of Art, purchased from Pacific American Corp. (Steven G. Alpert), Dallas, Texas

Notes:
The main source for this provenance is the copy of the document "Statement" dated September 4, 1996, in the Collections Records object file (1996.182).

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
Apply to objects where number equals 1996.182
Category
rules_operator
AND
General Description
 
The dominant design features on this early Lampung skirt are a procession of aquatic-like underworld creatures embroidered with silk floss on an indigo ground. Surrounded by earthy ikat tones, these fantastic creatures suggest the earth’s bounty and the highly charged fertility that rites of passage—particularly marriage—embody.

While the exact meaning of this imagery has been lost, it is rooted in the distant past. The anthropomorphic creatures on this ceremonial skirt, with their S-curve bodies and arching tendrils, are similar to those found on the tympanum of cast drums from the region’s Bronze Age. Stylistically, the images belong to a curvilinear artistic tradition that once spanned a vast area, from Asia’s far western steppes to ancient China to the island of Borneo and beyond.

Excerpt from
Roslyn A. Walker, Label text, 2013.

Fun Facts

Archival Resources

Web Resources
 

Notes

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
1996: Dallas Museum of Art, purchased from Pacific American Corp. (Steven G. Alpert), Dallas, Texas

Notes:
The main source for this provenance is the copy of the document "Statement" dated September 4, 1996, in the Collections Records object file (1996.182).

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1996.182
tags
#draft
#completed
%copyedited_Gail
fertility: AAT: 300379149
%Archived
@Bilal-Gore
stripes: AAT: 300010230
white (color): AAT: 300129784
red (color): AAT: 300126225
patterns (design elements): AAT: 300010108
textiles (visual works): AAT: 300014063
ceremonial costume: AAT: 300210387
orange (color): AAT: 300126734
*Arts of the Pacific Islands
skirts (garments / refrajo / corte): AAT: 300209932
marriage (social construct): AAT: 300055475
weaving: AAT: 300053642
ikat: AAT: 300249861
embroidering: AAT: 300053653
warp: AAT: 300227930
weft: AAT: 300227934
cotton (fiber): AAT: 300183670
dye (colorant): AAT: 300013029
plain weave (tabby / process): AAT: 300312167
indigo (color): AAT: 300311066
silk (general_animal material): AAT: 300191700
Lampung (province/Indonesia): TGN: 1001382
source file
object_notes_2_c-0320.xml.nores