1998.190.A-P The Crossing


GENERAL DESCRIPTION
In Bill Viola's The Crossing, two moving image works are projected simultaneously on a double-sided screen suspended in the middle of the space.  Each projection shows a single action involving a human figure that culminates in its annihilation by one of two opposing natural forces, fire and water. The sequences, timed to play in perfect synchronization with the conflagration and deluge occurring simultaneously, climax in a crescendo of images and sound. The screens return to black and silence ensues before the cycle repeats. The two traditional natural elements of fire and water appear here not only in their destructive aspects, but manifest cathartic, purifying, and regenerative capacities as well. Self-annihilation is posited as a necessary means to transcendence and liberation, reflecting Viola's interest in Eastern and Western philosophies, religions, and poetry.
%
Adapted from
  • Suzanne Weaver, "New Media at the Dallas Museum of Art," in Dallas Museum of Art, 100 Years , ed. Dorothy M. Kosinski (Dallas, TX: Dallas Museum of Art, 2003), Pamphlet number 79.
  • DMA Label copy.
  • DMA unpublished material, 1998.

NOTES
DMA Unpublished material = Acquisition proposal in Collections Records object file.

Catalogue essays

Artist/designers

Cultures

Geography

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS

PROVENANCE
Until 1998: Bill Viola (b. 1951)

1998: Dallas Museum of Art, purchased from Bill Viola Studio, Long Beach, California

Notes:
The main source for this provenance is the copy of the invoice in the Collections Records object file (1998.190.A-P).

AUDIO ASSETS
  • Listen to a special lecture by Bill Viola about The Crossing, 13311892: UMO

VIDEO ASSETS
  • Watch Bill Viola's lecture on technology and revelation, 12936377: UMO
  • Watch an archival interview on The Crossing with Suzanne Weaver and Bill Viola, 12936585: UMO

IMAGE ASSETS

WEB RESOURCES

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
apply to objects where number equals 1998.190.A-P

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General Description
In Bill Viola's The Crossing, two moving image works are projected simultaneously on a double-sided screen suspended in the middle of the space.  Each projection shows a single action involving a human figure that culminates in its annihilation by one of two opposing natural forces, fire and water. The sequences, timed to play in perfect synchronization with the conflagration and deluge occurring simultaneously, climax in a crescendo of images and sound. The screens return to black and silence ensues before the cycle repeats. The two traditional natural elements of fire and water appear here not only in their destructive aspects, but manifest cathartic, purifying, and regenerative capacities as well. Self-annihilation is posited as a necessary means to transcendence and liberation, reflecting Viola's interest in Eastern and Western philosophies, religions, and poetry.
%
Adapted from
  • Suzanne Weaver, "New Media at the Dallas Museum of Art," in Dallas Museum of Art, 100 Years , ed. Dorothy M. Kosinski (Dallas, TX: Dallas Museum of Art, 2003), Pamphlet number 79.
  • DMA Label copy.
  • DMA unpublished material, 1998.

Fun Facts

Archival Resources

Web Resources

Notes
DMA Unpublished material = Acquisition proposal in Collections Records object file.

Catalogue essays

Artist/designers

Cultures

Geography

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS

PROVENANCE
Until 1998: Bill Viola (b. 1951)

1998: Dallas Museum of Art, purchased from Bill Viola Studio, Long Beach, California

Notes:
The main source for this provenance is the copy of the invoice in the Collections Records object file (1998.190.A-P).

AUDIO ASSETS
  • Listen to a special lecture by Bill Viola about The Crossing, 13311892: UMO

VIDEO ASSETS
  • Watch Bill Viola's lecture on technology and revelation, 12936377: UMO
  • Watch an archival interview on The Crossing with Suzanne Weaver and Bill Viola, 12936585: UMO

rules
Apply To
Objects
number
Equals
1998.190.A-P
tags
#draft
#completed
%copyedited_Gail
%Archived
men: AAT: 300025928
Contemporary (style of art): AAT: 300264737
@Bilal-Gore
*Contemporary Art
landscapes (representations): AAT: 300015636
video art: AAT: 300102067
time-based works: AAT: 300185191
installations (visual works): AAT: 300047896
water: AAT: 300011772
fires (events): AAT: 300068986
bodies (human and animal components): AAT: 300404640
postmodern (international style and movement): AAT: 300022208
mysticism: AAT: 300055967
flames: AAT: 300009910
%exhibitions pending
Viola_Bill: ULAN: 500092205
multi-channel video installation: AAT: 300390574
slow motion: AAT: 300263878
12936377: UMO
12936585: UMO
13311892: UMO
source file
object_notes_2_c-0315.xml.nores