1999.3 Wall panel with figure of a slain shaman (tulangan sirimanua)


GENERAL DESCRIPTION  
This wall panel depicts a nearly life-size standing male figure with enormous splayed hands. His body is decorated with tattoos that indicate he lived in northern Siberut, the region where the Taileleu people traditionally went headhunting. The single shell inlay that survives in his right eye gives him a piercing gaze. He was a kerei, or shaman, as indicated by the painted feather decoration above his head. Kerei were believed to be able to see and communicate with souls, ancestors, and spirits.

A successful headhunt was celebrated by festivities in a clan’s longhouse (uma) and by the carving of an image of the slain victim. The panel was set into the rear wall of the interior room, facing the entrance, where visitors would see the memorial figure as proof of the courage and strength of the inhabitants.

Excerpt from
Roslyn Adele Walker, Label text, 2013.

NOTES
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PROVENANCE 
1999: Dallas Museum of Art, purchased from Steven G. Alpert, Dallas, Texas

Notes:
The main source for this provenance is the copy of the document "Statement" dated November 23, 1998, in the Collections Records object file (1999.3).

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Apply to objects where number equals 1999.3

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General Description
 
This wall panel depicts a nearly life-size standing male figure with enormous splayed hands. His body is decorated with tattoos that indicate he lived in northern Siberut, the region where the Taileleu people traditionally went headhunting. The single shell inlay that survives in his right eye gives him a piercing gaze. He was a kerei, or shaman, as indicated by the painted feather decoration above his head. Kerei were believed to be able to see and communicate with souls, ancestors, and spirits.

A successful headhunt was celebrated by festivities in a clan’s longhouse (uma) and by the carving of an image of the slain victim. The panel was set into the rear wall of the interior room, facing the entrance, where visitors would see the memorial figure as proof of the courage and strength of the inhabitants.

Excerpt from
Roslyn Adele Walker, Label text, 2013.

Fun Facts

Archival Resources

Web Resources
 

Notes
Public notes in TMS need to be hidden or removed

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
1999: Dallas Museum of Art, purchased from Steven G. Alpert, Dallas, Texas

Notes:
The main source for this provenance is the copy of the document "Statement" dated November 23, 1998, in the Collections Records object file (1999.3).

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1999.3
tags
#draft
#completed
%copyedited_Gail
paint (coating): AAT: 300015029
figures (representations): AAT: 300189808
%Archived
inlays (decorations): AAT: 300256033
shell (animal material): AAT: 300011829
carving (processes): AAT: 300053149
shell inlay (decorations): DMA
male: AAT: 300189559
human figures: AAT: 300404114
@Bilal-Gore
wood (plant material): AAT: 300011914
hands (animal or human components): AAT: 300310193
relief (sculpture techniques): AAT: 300053622
ancestors: AAT: 300255718
Mentawai Kepulauan (island group/Indonesia): TGN: 1010143
*Arts of the Pacific Islands
panels (surface components): AAT: 300069079
spirit: AAT: 300379007
eyes (animal or human components): AAT: 300400484
cloth: AAT: 300162391
Siberut (island/Indonesia): AAT: 1009150
tattoos: AAT: 300015614
shaman: AAT: 300218522
source file
object_notes_2_c-0314.xml.nores