2000.357 Ceremonial cloth (tampan)



GENERAL DESCRIPTION  
Ceremonial cloths known as tampan, or ship cloths, depict a boat, fish and aquatic creatures of the underworld, birds and dragonflies of the upperworld, crewmen, and cargo. On the upper tier of this tampan, a man and a woman dressed in ceremonial garments stand facing each other under a gate on a platform that resembles a barge. The figures to their left and right represent deities in human form who clear the way and sanctify their path. Masts, flags, pennants, courtiers, and entertainers add to the celebratory and festive mood. The ship's cargo—two horses posed like the couple above—symbolizes power and wealth.

For the Pasisir, the ship is a significant model of society and references the marriage of the first ancestors. Once the helmsman or captain boarded the "boat of matrimony," the ship set sail and society came into being.

Excerpt from
Roslyn A. Walker, Label text, 2016.

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PROVENANCE
2000: Dallas Museum of Art, purchased from Pacific American Corp. (Steven G. Alpert), Dallas, Texas 

Notes:
The main source for this provenance is the document titled "Statement" dated May 9, 2000, in the Collections Records object file (2000.357).

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General Description
 
Ceremonial cloths known as tampan, or ship cloths, depict a boat, fish and aquatic creatures of the underworld, birds and dragonflies of the upperworld, crewmen, and cargo. On the upper tier of this tampan, a man and a woman dressed in ceremonial garments stand facing each other under a gate on a platform that resembles a barge. The figures to their left and right represent deities in human form who clear the way and sanctify their path. Masts, flags, pennants, courtiers, and entertainers add to the celebratory and festive mood. The ship's cargo—two horses posed like the couple above—symbolizes power and wealth.

For the Pasisir, the ship is a significant model of society and references the marriage of the first ancestors. Once the helmsman or captain boarded the "boat of matrimony," the ship set sail and society came into being.

Excerpt from
Roslyn A. Walker, Label text, 2016.

Fun Facts

Archival Resources

Web Resources
 

Notes

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE
2000: Dallas Museum of Art, purchased from Pacific American Corp. (Steven G. Alpert), Dallas, Texas 

Notes:
The main source for this provenance is the document titled "Statement" dated May 9, 2000, in the Collections Records object file (2000.357).

AUDIO ASSETS 

VIDEO ASSETS

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2000.357
tags
fish (animals): AAT: 300266085
birds (animals): AAT: 300266506
#draft
#completed
%Archived
birds (motifs): AAT: 300375751
ceremonial objects: AAT: 300234117
human figures: AAT: 300404114
@Bilal-Gore
red (color): AAT: 300126225
power: AAT: 300374809
patterns (design elements): AAT: 300010108
textiles (visual works): AAT: 300014063
boats: AAT: 300178749
wealth: AAT: 300055767
cream (color): AAT: 300266242
underworld (doctrinal concept): AAT: 300343823
symbol: AAT: 300055878
ancestors: AAT: 300255718
*Arts of the Pacific Islands
cloth: AAT: 300162391
marriage (social construct): AAT: 300055475
weaving: AAT: 300053642
cotton (fiber): AAT: 300183670
ships: AAT: 300082981
plain weave (tabby / process): AAT: 300312167
supplementary-weft (textile components/textile weaving techniques by patterning): DMA
weft patterning (supplementary weft/textile weaving techniques by patterning): AAT: 300228486
metal thread: AAT: 300379384
Lampung (province/Indonesia): TGN: 1001382
pattern weft (supplementary weft/textile components): AAT: 300227866
source file
object_notes_2_c-0306.xml.nores