2000.388 Clouds (Wolken)


GENERAL DESCRIPTION  
Clouds, mist, hints of mountains, and winding rivers suggest the mysterious space of traditional Chinese landscape painting. Sigmar Polke used a story by French writer Marguerite Yourcenar as a starting point for Clouds. In that tale, a Chinese artist created painted worlds that were more beautiful and powerful than reality. His assistant disparaged those who did not value the master's art, saying, "These people are not the kind to lose themselves in a painting." Like the Chinese artist's work, Polke's painted surface, with its swirling colors, powdered pigment blown into wet resin, and scatterings of what may be gold, silver, or even intergalactic dust, exists as an ever-changing magical world.

Excerpt from
Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018.

NOTES
  • Passion for Art, DMA 2003-2004
  • Fast Forward, 2005, Archive ID: 11749; TMS ID: 205
  • 5/29/18: removed label copy: Sigmar Polke used a story by Belgian-born French writer Marguerite Yourcenar as a starting point for Clouds. In that tale, a Chinese artist created painted worlds that were more beautiful and powerful than reality. Polke's painted surface, with its swirling colors, clouds, mist, hints of mountains, and winding rivers, suggests the space of a mysterious traditional Chinese landscape painting.  DMA unpublished material, Label copy, n.d.
    • added TWO X TWO publication entry.

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RELATED OBJECTS 

PROVENANCE 
n.d.: Private Collection, Koln [1]

2000: Dallas Museum of Art, purchased through Michael Werner, New York [2]

[1] See Sigmar Polke (Amsterdam: Stedelijk Museum Amsterdam, 1992), 133.

[2] See the copy of the invoice from Michael Werner to the Dallas Museum of Art in the Collections Records object file (2000.388).

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General Description
 
Clouds, mist, hints of mountains, and winding rivers suggest the mysterious space of traditional Chinese landscape painting. Sigmar Polke used a story by French writer Marguerite Yourcenar as a starting point for Clouds. In that tale, a Chinese artist created painted worlds that were more beautiful and powerful than reality. His assistant disparaged those who did not value the master's art, saying, "These people are not the kind to lose themselves in a painting." Like the Chinese artist's work, Polke's painted surface, with its swirling colors, powdered pigment blown into wet resin, and scatterings of what may be gold, silver, or even intergalactic dust, exists as an ever-changing magical world.

Excerpt from
Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018.

Fun Facts

Archival Resources

Web Resources
 

Notes
  • Passion for Art, DMA 2003-2004
  • Fast Forward, 2005, Archive ID: 11749; TMS ID: 205
  • 5/29/18: removed label copy: Sigmar Polke used a story by Belgian-born French writer Marguerite Yourcenar as a starting point for Clouds. In that tale, a Chinese artist created painted worlds that were more beautiful and powerful than reality. Polke's painted surface, with its swirling colors, clouds, mist, hints of mountains, and winding rivers, suggests the space of a mysterious traditional Chinese landscape painting.  DMA unpublished material, Label copy, n.d.
    • added TWO X TWO publication entry.

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
n.d.: Private Collection, Koln [1]

2000: Dallas Museum of Art, purchased through Michael Werner, New York [2]

[1] See Sigmar Polke (Amsterdam: Stedelijk Museum Amsterdam, 1992), 133.

[2] See the copy of the invoice from Michael Werner to the Dallas Museum of Art in the Collections Records object file (2000.388).

AUDIO ASSETS 

VIDEO ASSETS

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2000.388
tags
#draft
#completed
resin (organic material): AAT: 300012882
%Archived
.TeachingIdeas
painting (visual works): AAT: 300033618
@Bilal-Gore
*Contemporary Art
yellow (color): AAT: 300127794
red (color): AAT: 300126225
clouds: AAT: 300343840
Germany (nation): TGN: 7000084
postmodern (international style and movement): AAT: 300022208
literature (humanities): AAT: 300054273
gold (color): AAT: 300311191
purple (color): AAT: 300130257
silver (color): AAT: 300311368
Polke_Sigmar: ULAN: 500115233
painting (coating): AAT: 300161986
Chinese painting styles: AAT: 300018501
powdered pigment: AAT: 300014013
mist: AAT: 300055374
source file
object_notes_2_c-0305.xml.nores