GENERAL DESCRIPTION
"There is no innocent room."
—Thomas Demand
Thomas Demand's photograph seems to be of a white architectural model sitting on top of a simple wooden table in an institutional room. The room is in the studio of the architect of the Third Reich (1933-1945), Albert Speer (1905-1981), and the model in the photograph is Speer's idea for the rebuilding of Paris following World War II. It was set up for Adolf Hitler's viewing before being shipped to the German Pavilion at the Paris Exposition in 1937.
On closer inspection, imperfections hint that model, table, window, and every part of the room are not "real," but a hand-made construction. Paradoxically Modell is a photograph of a "model" (a constructed set). Using simple materials of cardboard and colored paper, Demand, who began his artistic career as a sculptor, painstakingly created a full-scale environment and then photographed it. Demand challenges viewers to consider the use of architecture to embody political ideas and as a propaganda tool, as well as to contemplate the "truth" of photography.
Adapted from
- Suzanne Weaver, DMA unpublished material, 2001.
- Charlie Wylie, Label text, 2004.
NOTES
Fast Forward Exhibition
DMA unpublished material = Acquisition Proposal, 2001. In Collections Records object file (2001.258).
Catalogue essays
Artist/designers
Cultures
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RELATED OBJECTS
PROVENANCE
Until 2001: Thomas Demand (b. 1964)
2001: Dallas Museum of Art, purchased through 303 Gallery, New York
The main source for this provenance is the copy of the invoice dated February 28, 2001, in the Collections Records object file (2001.258).
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
- Encyclopaedia Britannica~Learn more about architect and Nazi official Albert Speer.
- Encyclopaedia Britannica~Learn more about Vichy France.
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
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General Description
"There is no innocent room."
—Thomas Demand
Thomas Demand's photograph seems to be of a white architectural model sitting on top of a simple wooden table in an institutional room. The room is in the studio of the architect of the Third Reich (1933-1945), Albert Speer (1905-1981), and the model in the photograph is Speer's idea for the rebuilding of Paris following World War II. It was set up for Adolf Hitler's viewing before being shipped to the German Pavilion at the Paris Exposition in 1937.
On closer inspection, imperfections hint that model, table, window, and every part of the room are not "real," but a hand-made construction. Paradoxically Modell is a photograph of a "model" (a constructed set). Using simple materials of cardboard and colored paper, Demand, who began his artistic career as a sculptor, painstakingly created a full-scale environment and then photographed it. Demand challenges viewers to consider the use of architecture to embody political ideas and as a propaganda tool, as well as to contemplate the "truth" of photography.
Adapted from
- Suzanne Weaver, DMA unpublished material, 2001.
- Charlie Wylie, Label text, 2004.
Fun Facts
Archival Resources
Web Resources
- Encyclopaedia Britannica~Learn more about architect and Nazi official Albert Speer.
- Encyclopaedia Britannica~Learn more about Vichy France.
Notes
Fast Forward Exhibition
DMA unpublished material = Acquisition Proposal, 2001. In Collections Records object file (2001.258).
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 2001: Thomas Demand (b. 1964)
2001: Dallas Museum of Art, purchased through 303 Gallery, New York
The main source for this provenance is the copy of the invoice dated February 28, 2001, in the Collections Records object file (2001.258).
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2001.258
source file
object_notes_2_c-0281.xml.nores