GENERAL DESCRIPTION
One of the more enigmatic artifacts of the ancient Mediterranean world is this type of marble figurine found mainly in the Aegean islands of the Cyclades. These starkly abstract human figures dating from the 3rd millennium B.C. display a remarkable purity of form, but their purpose is unknown. Originally, many of these objects were deposited lying on their backs in tombs or shrines.
This figurine is more angular than the other example of a Cycladic figurine in the Dallas Museum of Art's collection (1992.2) and perhaps slightly later in date. The pronounced flatness of the figure and its trapezoidal face, pointed shoulders, widely spaced breasts, and shallow leg-cleft all contribute to its classification to the Dokathismata variety, named after an Early Cycladic cemetery on the island of Amorgos. As with other examples of this type, the forearms of this figure are strictly horizontal, folded at the waist, and indicated by little more than incisions. The swollen abdomen is a feature found on other figurines in the Dokathismata variety and is perhaps meant to indicate pregnancy. The leg-cleft, which intersects the pubic triangle, deepens below the ankles to separate the feet. On the back of this figure the neck is articulated to the torso by an incised V line. The spine and leg-cleft are indicated by separate shallow incisions. The toes have been restored.
Adapted from
- Anne R. Bromberg, and Karl Kilinski II, Gods, Men, and Heroes: Ancient Art at the Dallas Museum of Art. Seattle: University of Washington Press, 1996. 44.
- DMA unpublished material.
NOTES
- DMA unpublished material = TMS data
- added provenance, and Gods Men Heros publication as text entry in TMS
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PROVENANCE
Until 1962: J.J. Klejman, New York, New York [1]
1962-1982: Collection of Stanley Marcus, Dallas, Texas, purchased from above [1]
From 1982: Dallas Museum of Fine Arts, Foundation for the Arts Collection, gift of Stanley Marcus (accessioned 1982) [2], [3]
[1] See Dallas Museum of Fine Arts Catalogue Worksheet in Collections Records Object File 1982.292.FA
[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983
[3] The Foundation for the Arts is a non-profit corporation created as a title-holding entity to serve the people of Dallas but to operate independently of the City. The Dallas Museum of Art (at its own cost) is responsible for the care, storage, insurance, conservation, and maintenance of the collection, and agrees to maintain the highest museum standards in the management and handling of the Foundation's collection. The title to all works of art purchased or otherwise acquired by the Foundation for the Arts is retained by the Foundation.
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Khan Academy~Watch a short video about Cycladic figurines, forgery, and their relation to modern art.
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Apply to objects where number equals 1982.292.FA
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General Description
One of the more enigmatic artifacts of the ancient Mediterranean world is this type of marble figurine found mainly in the Aegean islands of the Cyclades. These starkly abstract human figures dating from the 3rd millennium B.C. display a remarkable purity of form, but their purpose is unknown. Originally, many of these objects were deposited lying on their backs in tombs or shrines.
This figurine is more angular than the other example of a Cycladic figurine in the Dallas Museum of Art's collection (1992.2) and perhaps slightly later in date. The pronounced flatness of the figure and its trapezoidal face, pointed shoulders, widely spaced breasts, and shallow leg-cleft all contribute to its classification to the Dokathismata variety, named after an Early Cycladic cemetery on the island of Amorgos. As with other examples of this type, the forearms of this figure are strictly horizontal, folded at the waist, and indicated by little more than incisions. The swollen abdomen is a feature found on other figurines in the Dokathismata variety and is perhaps meant to indicate pregnancy. The leg-cleft, which intersects the pubic triangle, deepens below the ankles to separate the feet. On the back of this figure the neck is articulated to the torso by an incised V line. The spine and leg-cleft are indicated by separate shallow incisions. The toes have been restored.
Adapted from
- Anne R. Bromberg, and Karl Kilinski II, Gods, Men, and Heroes: Ancient Art at the Dallas Museum of Art. Seattle: University of Washington Press, 1996. 44.
- DMA unpublished material.
Fun Facts
Archival Resources
Web Resources
Khan Academy~Watch a short video about Cycladic figurines, forgery, and their relation to modern art.
Notes
- DMA unpublished material = TMS data
- added provenance, and Gods Men Heros publication as text entry in TMS
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1962: J.J. Klejman, New York, New York [1]
1962-1982: Collection of Stanley Marcus, Dallas, Texas, purchased from above [1]
From 1982: Dallas Museum of Fine Arts, Foundation for the Arts Collection, gift of Stanley Marcus (accessioned 1982) [2], [3]
[1] See Dallas Museum of Fine Arts Catalogue Worksheet in Collections Records Object File 1982.292.FA
[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983
[3] The Foundation for the Arts is a non-profit corporation created as a title-holding entity to serve the people of Dallas but to operate independently of the City. The Dallas Museum of Art (at its own cost) is responsible for the care, storage, insurance, conservation, and maintenance of the collection, and agrees to maintain the highest museum standards in the management and handling of the Foundation's collection. The title to all works of art purchased or otherwise acquired by the Foundation for the Arts is retained by the Foundation.
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