GENERAL DESCRIPTION
This casting depicts human sacrifice with images of severed heads and vultures feasting on bound and decapitated bodies. This ring also features an official from the society known as Ogboni or Oshugbo—worshippers of the Earth and a major political force. Dressed in regalia, the figure has scarification on his forehead, a tortoise, a pair of hairpin-like forms, and a vessel. The figures in this scene, identified through Yoruba oral traditions and religious beliefs, may be participating in an installation ceremony for the ruler of a satellite Yoruba kingdom that involved sacrifice and reporting of this deed to the paramount king of the Yoruba, the Oni of Ife.
In the distant past, Yoruba societies and provincial regions under their influence practiced human sacrifice in the context of grave rituals that benefited the entire community. Here, the vulture is a messenger of the gods, and his presence indicates the gods’ acceptance of the sacrifice.
Excerpt from
Roslyn A. Walker, Label text, Arts of Africa, 2015.
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PROVENANCE
n.d.: Private collection
Around 1975: Merton Simpson Collection, New York
1982-2005: Hon. Robert Loder Collection, London, acquired from above
2005: Dallas Museum of Art, purchased through L & R Entwhistle Co. Ltd., London
Notes:
The main source for this provenance is the document 'Invoice MB02013 le' in the Collections Records object file.
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General Description
This casting depicts human sacrifice with images of severed heads and vultures feasting on bound and decapitated bodies. This ring also features an official from the society known as Ogboni or Oshugbo—worshippers of the Earth and a major political force. Dressed in regalia, the figure has scarification on his forehead, a tortoise, a pair of hairpin-like forms, and a vessel. The figures in this scene, identified through Yoruba oral traditions and religious beliefs, may be participating in an installation ceremony for the ruler of a satellite Yoruba kingdom that involved sacrifice and reporting of this deed to the paramount king of the Yoruba, the Oni of Ife.
In the distant past, Yoruba societies and provincial regions under their influence practiced human sacrifice in the context of grave rituals that benefited the entire community. Here, the vulture is a messenger of the gods, and his presence indicates the gods’ acceptance of the sacrifice.
Excerpt from
Roslyn A. Walker, Label text, Arts of Africa, 2015.
Fun Facts
Archival Resources
Web Resources
Notes
%
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
n.d.: Private collection
Around 1975: Merton Simpson Collection, New York
1982-2005: Hon. Robert Loder Collection, London, acquired from above
2005: Dallas Museum of Art, purchased through L & R Entwhistle Co. Ltd., London
Notes:
The main source for this provenance is the document 'Invoice MB02013 le' in the Collections Records object file.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2005.14
source file
object_notes_2_c-0240.xml.nores