2006.57.1 Hunter's mask (dannana)


GENERAL DESCRIPTION
Numerous masks representing the people, animals, and things in the Dogon world since the Creation appear at dama, a six-day commemorative funerary masquerade held every several years for important male elders.  According to Dogon mythology, in the beginning there was no death, and masking was controlled by women.  The dama masquerade commemorates the first death and reinforces male superiority, which was established when men learned the secret of masking and were thus empowered.  One mask is the hunter, whose fierceness, skill, and cunning are represented by a bulging forehead and an open mouth with protruding teeth, which are missing from this mask. The prominent forehead, arrow-shaped nose, and a projecting mouth are all common to Dogon figurative art. Old masks like this one are coated with layers of sacrificial material. The headpiece was completed with a hood made of woven hibiscus fibers, and the hunter holds a short sword in one hand and a spear in the other.  Because the Dogon believe that game animals are overpowered by magical means, hunters are also magicians. 

Adapted from
  • Bonnie Pitman, ed., "Hunter's mask (dannana)," in Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 62.
  • African Masks: The Art of Disguise, DMA unpublished material. 

NOTES
DMA unpublished material: African Masks: The Art of Disguise, PDF on TAZ.

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PROVENANCE
1972-2006: John Lunsford, Dallas, purchased from Saja Turkana, June 23, 1972

2006: Dallas Museum of Art, gift of John Lunsford, full ownership transferred in 2006 (accessioned: December 13, 2006) [1]

[1] Given in gratitude for Margaret McDermott's great devotion to traditional African art.

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WEB RESOURCES
African Masks: The Art of Disguise~Learn more about this mask.

ARCHIVAL RESOURCES

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TEACHING IDEAS

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apply to objects where number equals 2006.57.1


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General Description
Numerous masks representing the people, animals, and things in the Dogon world since the Creation appear at dama, a six-day commemorative funerary masquerade held every several years for important male elders.  According to Dogon mythology, in the beginning there was no death, and masking was controlled by women.  The dama masquerade commemorates the first death and reinforces male superiority, which was established when men learned the secret of masking and were thus empowered.  One mask is the hunter, whose fierceness, skill, and cunning are represented by a bulging forehead and an open mouth with protruding teeth, which are missing from this mask. The prominent forehead, arrow-shaped nose, and a projecting mouth are all common to Dogon figurative art. Old masks like this one are coated with layers of sacrificial material. The headpiece was completed with a hood made of woven hibiscus fibers, and the hunter holds a short sword in one hand and a spear in the other.  Because the Dogon believe that game animals are overpowered by magical means, hunters are also magicians. 

Adapted from
  • Bonnie Pitman, ed., "Hunter's mask (dannana)," in Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 62.
  • African Masks: The Art of Disguise, DMA unpublished material. 

Fun Facts

Archival Resources

Web Resources
African Masks: The Art of Disguise~Learn more about this mask.

Notes
DMA unpublished material: African Masks: The Art of Disguise, PDF on TAZ.

Catalogue essays specific to object

Artist/designers

Cultures

Geography

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS

PROVENANCE
1972-2006: John Lunsford, Dallas, purchased from Saja Turkana, June 23, 1972

2006: Dallas Museum of Art, gift of John Lunsford, full ownership transferred in 2006 (accessioned: December 13, 2006) [1]

[1] Given in gratitude for Margaret McDermott's great devotion to traditional African art.

AUDIO ASSETS

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
2006.57.1
tags
#draft
#completed
%copyedited_Gail
%Archived
masks (costume): AAT: 300138758
carving (processes): AAT: 300053149
male: AAT: 300189559
@Bilal-Gore
wood (plant material): AAT: 300011914
*Arts of Africa
creation (doctrinal concept): AAT: 300069002
deaths: AAT: 300151836
ancestors: AAT: 300255718
funerals: AAT: 300069162
masquerades: AAT: 300254016
Dogon: AAT: 300015855
Mali (nation): TGN: 1000175
elders: AAT: 300025761
hunters (people): AAT: 300025619
headpiece: AAT: 300209285
foreheads: AAT: 300404717
coating (process): AAT: 300053772
source file
object_notes_2_c-0237.xml.nores