GENERAL DESCRIPTION
In contrast to ordinary mangles, this one is elaborately decorated with relief carved human figures and birds and incised geometric patterns. The human figures represent the weaver's forebears, who passed their skills down the generations. They protected her as she created potent motifs on powerful textiles. The birds, symbols of strength and courage, are envoys between the realms of humans and deities. The incised "hooked lozenge" pattern is found on Timorese textiles and carvings. The mangle belonged to an aristocratic female master weaver whose husband carved it for her.
To operate a mangle, the weaver inserts cotton bolls between the rollers and turns the handle; as the cotton moves through, the seeds pop out. After the cotton has been cleaned and fluffed up, it is spun into yarn using a spindle or spinning wheel.
Excerpt from
- DMA label text.
NOTES
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
2015: Dallas Museum of Art, gift of George Ellis
Notes:
The main source for this provenance is the copy of the Deed of Gift in the Collections Records object file (2015.26.2).
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 2015.26.2
Category
rules_operator
AND
General Description
In contrast to ordinary mangles, this one is elaborately decorated with relief carved human figures and birds and incised geometric patterns. The human figures represent the weaver's forebears, who passed their skills down the generations. They protected her as she created potent motifs on powerful textiles. The birds, symbols of strength and courage, are envoys between the realms of humans and deities. The incised "hooked lozenge" pattern is found on Timorese textiles and carvings. The mangle belonged to an aristocratic female master weaver whose husband carved it for her.
To operate a mangle, the weaver inserts cotton bolls between the rollers and turns the handle; as the cotton moves through, the seeds pop out. After the cotton has been cleaned and fluffed up, it is spun into yarn using a spindle or spinning wheel.
Excerpt from
- DMA label text.
Fun Facts
Archival Resources
Web Resources
Notes
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
2015: Dallas Museum of Art, gift of George Ellis
Notes:
The main source for this provenance is the copy of the Deed of Gift in the Collections Records object file (2015.26.2).
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2015.26.2
source file
object_notes_2_c-0189.xml.nores