2015.26.2 Mangle for seeding cotton


GENERAL DESCRIPTION
In contrast to ordinary mangles, this one is elaborately decorated with relief carved human figures and birds and incised geometric patterns. The human figures represent the weaver's forebears, who passed their skills down the generations. They protected her as she created potent motifs on powerful textiles. The birds, symbols of strength and courage, are envoys between the realms of humans and deities. The incised "hooked lozenge" pattern is found on Timorese textiles and carvings. The mangle belonged to an aristocratic female master weaver whose husband carved it for her. 

To operate a mangle, the weaver inserts cotton bolls between the rollers and turns the handle; as the cotton moves through, the seeds pop out. After the cotton has been cleaned and fluffed up, it is spun into yarn using a spindle or spinning wheel.

Excerpt from
  • DMA label text.

NOTES

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PROVENANCE
2015: Dallas Museum of Art, gift of George Ellis

Notes:
The main source for this provenance is the copy of the Deed of Gift in the Collections Records object file (2015.26.2).

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Apply to objects where number equals 2015.26.2

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General Description
In contrast to ordinary mangles, this one is elaborately decorated with relief carved human figures and birds and incised geometric patterns. The human figures represent the weaver's forebears, who passed their skills down the generations. They protected her as she created potent motifs on powerful textiles. The birds, symbols of strength and courage, are envoys between the realms of humans and deities. The incised "hooked lozenge" pattern is found on Timorese textiles and carvings. The mangle belonged to an aristocratic female master weaver whose husband carved it for her. 

To operate a mangle, the weaver inserts cotton bolls between the rollers and turns the handle; as the cotton moves through, the seeds pop out. After the cotton has been cleaned and fluffed up, it is spun into yarn using a spindle or spinning wheel.

Excerpt from
  • DMA label text.

Fun Facts

Archival Resources

Web Resources

Notes

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS

PROVENANCE
2015: Dallas Museum of Art, gift of George Ellis

Notes:
The main source for this provenance is the copy of the Deed of Gift in the Collections Records object file (2015.26.2).

AUDIO ASSETS

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
2015.26.2
tags
#draft
#completed
%copyedited_Gail
%Archived
deities: AAT: 300343850
birds (motifs): AAT: 300375751
handles: AAT: 300024927
carving (processes): AAT: 300053149
geometric patterns: AAT: 300165213
human figures: AAT: 300404114
@Bilal-Gore
textiles (visual works): AAT: 300014063
ancestors: AAT: 300255718
lozenges: AAT: 300009791
*Arts of the Pacific Islands
cotton (fiber): AAT: 300183670
aristocracy (social class): AAT: 300055484
seeds (plant components): AAT: 300400469
Timor-Leste (nation): TGN: 7003703
mangle: AAT: 300395506
cotton gin: AAT: 300262919
source file
object_notes_2_c-0189.xml.nores