GENERAL DESCRIPTION
Candlesticks are uncommon in Chinese export porcelain, and this example from the Reves Collection appears to be especially rare. It was evidently modeled after mid-18th-century European metal examples. The shape of its "drop-base" is similar to 18th-century English silver and brass samples. However, the flattened central shaft and the double ionic volutes are highly unusual and may stem from the Chinese potter's misinterpretation of or experimentation with the imported pattern.
Adapted from
Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 113.
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PROVENANCE
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]
From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]
[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.
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WEB RESOURCES
The Metropolitan Museum of Art~Read more about Chinese Export Porcelain
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RULES
Apply to objects where number equals 1985.R.900
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General Description
Candlesticks are uncommon in Chinese export porcelain, and this example from the Reves Collection appears to be especially rare. It was evidently modeled after mid-18th-century European metal examples. The shape of its "drop-base" is similar to 18th-century English silver and brass samples. However, the flattened central shaft and the double ionic volutes are highly unusual and may stem from the Chinese potter's misinterpretation of or experimentation with the imported pattern.
Adapted from
Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 113.
Fun Facts
Archival Resources
Web Resources
Notes
TMS updates
provenance
place of origin
search dates
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]
From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]
[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1985.R.900
source file
object_notes_2_c-0172.xml.nores