1940.42 Charles Émile Jacque, A Corner of the Forest of Fontainebleau (Un coin de la Foret de Fontainbleau)


GENERAL DESCRIPTION  
This etching by Charles Émile Jacque has the intimacy of a drawing, featuring loose, gestural lines and a small scale. While Jacque usually depicted animals, in this scene he concentrates on the shadows and textures of the Fontainebleau forest itself. A single cow in the left corner alludes to the artist’s typical subject matter.
Jacque was one of the most important proponents of the Etching Revival, an artistic movement that occurred in France, Britain, and America during the late 19th century. Though etching had been popular among artists during the 17th century, by Jacque’s time it was primarily used as a means of inexpensively reproducing famous paintings. Artists and critics alike sought to reestablish etching as a medium worthy of creative, spontaneous expression by underscoring its similarities with drawing, qualities that are evident in Jacque’s work.

Excerpt from
Sara Woodbury, DMA label copy, 2011.


NOTES
n.d. (Change to artist's life dates)

April 2011

Catalogue essays

Artist/designers
Jacque, Charles Émile (French, 1813-1894)

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

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Apply to objects where number equals 1940.42

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General Description
 
This etching by Charles Émile Jacque has the intimacy of a drawing, featuring loose, gestural lines and a small scale. While Jacque usually depicted animals, in this scene he concentrates on the shadows and textures of the Fontainebleau forest itself. A single cow in the left corner alludes to the artist’s typical subject matter.
Jacque was one of the most important proponents of the Etching Revival, an artistic movement that occurred in France, Britain, and America during the late 19th century. Though etching had been popular among artists during the 17th century, by Jacque’s time it was primarily used as a means of inexpensively reproducing famous paintings. Artists and critics alike sought to reestablish etching as a medium worthy of creative, spontaneous expression by underscoring its similarities with drawing, qualities that are evident in Jacque’s work.

Excerpt from
Sara Woodbury, DMA label copy, 2011.


Fun Facts

Archival Resources

Web Resources
 
Notes
n.d. (Change to artist's life dates)

April 2011

Catalogue essays

Artist/designers
Jacque, Charles Émile (French, 1813-1894)

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1940.42
tags
#draft
#completed
%Archived
trees (plants): AAT: 300132410
@Russell
#routed
*European Art
shadows: AAT: 300056036
works on paper: AAT: 300189621
etching (printing process): AAT: 300053241
cross-hatching: AAT: 300101925
Barbizon School: AAT: 300264658
cows (mammals): AAT: 300250120
forests (cultural landscapes): AAT: 300008863
Jacque_Charles Émile: ULAN: 500027865
source file
object_notes_2_c-0114.xml.nores