GENERAL DESCRIPTION
Kunié Sugiura was one of the first artists to apply photo emulsion solution directly to raw canvas - much like a painter would apply gesso. She then used an enlarger to expose the canvas to her own black-and-white photos. As the illuminated sections of the canvas darkened and hardened, the resulting images emulated the scale and texture of painting. Many of Sugiura's photographs contain small natural areas such as trees and rocks within the urban environment. Her emphasis on formal, aesthetic characteristics created images that fluctuate between abstraction and representation. This effect is apparent in the way the large scale, rough surface, and layering of gestural marks obscure the original subject of Central Park 3 (1971) - the surface of a rock found in Manhattan's famed natural oasis.
Excerpt from
Chelsea Pierce, Soft Focus, Label copy [2016.11.1], 2018.
NOTES
updated geo x refs and provenance
archived label text
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PROVENANCE
Until 2015: Collection of the artist [1]
From 2015: Dallas Museum of Art
[1] previously entered provenance, TMS 2016.11.1
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Apply to objects where number equals 2016.11.1
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General Description
Kunié Sugiura was one of the first artists to apply photo emulsion solution directly to raw canvas - much like a painter would apply gesso. She then used an enlarger to expose the canvas to her own black-and-white photos. As the illuminated sections of the canvas darkened and hardened, the resulting images emulated the scale and texture of painting. Many of Sugiura's photographs contain small natural areas such as trees and rocks within the urban environment. Her emphasis on formal, aesthetic characteristics created images that fluctuate between abstraction and representation. This effect is apparent in the way the large scale, rough surface, and layering of gestural marks obscure the original subject of Central Park 3 (1971) - the surface of a rock found in Manhattan's famed natural oasis.
Excerpt from
Chelsea Pierce, Soft Focus, Label copy [2016.11.1], 2018.
Fun Facts
Archival Resources
Web Resources
Notes
updated geo x refs and provenance
archived label text
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 2015: Collection of the artist [1]
From 2015: Dallas Museum of Art
[1] previously entered provenance, TMS 2016.11.1
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2016.11.1
source file
object_notes_2_c-0090.xml.nores