1985.R.914, Vase, porcelain, China, 18th century


GENERAL DESCRIPTION  
Although its unusual shape is probably copied from Middle Eastern water pipes, or kendi, and they are sometimes described as nursing bottles, colorful porcelains, like this one, may have been bought by Europeans merely as decorative objects. The newly developed famille rose enamel palette is used lavishly on the roll-over lip, shoulders, reserves, and neck. Rose also appears in the unusual striping of the spout and globular sides. Similar striping can be seen on the shell of the wall fountain (see 1985.R.843.A-C), confirming the early date of this bottle and the probability that it was intended for the Portuguese market. 

Adapted from
  • Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 193.
  • Label text, Reves Galleries, Porcelain Gallery, 2018

NOTES
TMS updates
provenance
place of origin
search dates
text entries

Although their unusual shape is probably copied from Middle Eastern water pipes, or kendi, and they are sometimes described as nursing bottles, these colorful porcelains may have been bought by Europeans merely as decorative objects. The newly developed famille rose enamel palette is used lavishly on the roll-over lip, shoulders, reserves, and neck. Rose also appears in the unusual striping of the spouts and globular sides. Similar striping can be seen on the shell of the wall fountain, confirming the early date of these bottles and the probability that they were intended for the Portuguese market. 
Excerpt from
Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 193.

During the first quarter of the 18th century, foreign shapes such as this Near Eastern kendi, or water pipe, vase were inspired by European silver forms. Excerpt from Label text, Reves Galleries, Porcelain Gallery, 2018

Catalogue essays

Artist/designers

Cultures

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RELATED OBJECTS 

PROVENANCE 
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]

[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

AUDIO ASSETS 

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IMAGE ASSETS

WEB RESOURCES 
The Metropolitan Museum of Art~Read more about Chinese Export Porcelain

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Apply to objects where number equals 1985.R.914

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General Description
 
Although its unusual shape is probably copied from Middle Eastern water pipes, or kendi, and they are sometimes described as nursing bottles, colorful porcelains, like this one, may have been bought by Europeans merely as decorative objects. The newly developed famille rose enamel palette is used lavishly on the roll-over lip, shoulders, reserves, and neck. Rose also appears in the unusual striping of the spout and globular sides. Similar striping can be seen on the shell of the wall fountain (see 1985.R.843.A-C), confirming the early date of this bottle and the probability that it was intended for the Portuguese market. 

Adapted from
  • Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 193.
  • Label text, Reves Galleries, Porcelain Gallery, 2018

Fun Facts

Archival Resources

Web Resources
 
The Metropolitan Museum of Art~Read more about Chinese Export Porcelain

Notes
TMS updates
provenance
place of origin
search dates
text entries

Although their unusual shape is probably copied from Middle Eastern water pipes, or kendi, and they are sometimes described as nursing bottles, these colorful porcelains may have been bought by Europeans merely as decorative objects. The newly developed famille rose enamel palette is used lavishly on the roll-over lip, shoulders, reserves, and neck. Rose also appears in the unusual striping of the spouts and globular sides. Similar striping can be seen on the shell of the wall fountain, confirming the early date of these bottles and the probability that they were intended for the Portuguese market. 
Excerpt from
Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 193.

During the first quarter of the 18th century, foreign shapes such as this Near Eastern kendi, or water pipe, vase were inspired by European silver forms. Excerpt from Label text, Reves Galleries, Porcelain Gallery, 2018

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]

[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1985.R.914
tags
#draft
#completed
%copyedited_Gail
%Archived
*Decorative Arts and Design
decorative arts: AAT: 300054168
@bartsch-allen
tableware: AAT: 300043196
Reves_Wendy: DMA
Reves_Emery: DMA
Villa La Pausa: DMA
Reves_Emery: ULAN: 500444887
enamels: AAT: 300178264
porcelain (visual works): AAT: 300386874
porcelain (material): AAT: 300010662
enameling: AAT: 300053773
enamel (fused coating): AAT: 300014910
enamel paint: AAT: 300147678
vases: AAT: 300132254
Chinese export porcelain: AAT: 300387409
famille (ceramics style): AAT: 300265757
famille rose (ceramics style): AAT: 300254689
Portuguese (culture or style): AAT: 300111207
famille verte (ceramics style): AAT: 300265759
Middle East (region): TGN: 7001526
roosters (birds/animals): AAT: 300380127
Gallus gallus (species): AAT: 300250037
water pipes: AAT: 300263308
kendi: AAT: 300263743
source file
object_notes_2_c-0059.xml.nores