GENERAL DESCRIPTION
The high level of ceramic manufacture in Greece during the 6th and 5th centuries BCE led to experiments in unusual vase forms. This tripod-shaped kothon shape recalls metalwork tripod vessels, and was designed to hold perfume without spilling. The vessel features scenes of athletes, komasts, or ritual dancers, and drinking companions, as well as decorative geometric animals and patterned ornament. Overall this vessel has a whimsical feel, its energy activated by the lively actions of the figures.
This vase belongs to a series of vessels (many of them tripod-kothons) known as the Boeotian Dancers Group. Choice of figural subjects (especially the frolicking komasts), ornament, vase shape, and the painted style indicate a common workshop for the vases in the Group. Prevailing evidence suggests that the workshop was located in or near Tanagra in southeast Boeotia.
Drawn from
- DMA Label copy [1981.170].
- Karl Kilinski II, "Boeotian Black-Figure Tripod-Kothon" in Art, Myth, and Culture: Greek Vases from Southern Collections, (New Orleans Museum of Art: Tulane University, 1981), 142.
NOTES
provenance updated
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exhibition history updated
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PROVENANCE
Before 1981: anonymous, New York, New York
From 1981: Dallas Museum of Fine Arts, anonymous gift in memory of Edward Marcus, (accessioned December 31, 1981) [1], [2]
[1] See Acquisition Record, Collections Records Object File 1981.170
[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
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Apply to objects where number equals 1981.170
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General Description
The high level of ceramic manufacture in Greece during the 6th and 5th centuries BCE led to experiments in unusual vase forms. This tripod-shaped kothon shape recalls metalwork tripod vessels, and was designed to hold perfume without spilling. The vessel features scenes of athletes, komasts, or ritual dancers, and drinking companions, as well as decorative geometric animals and patterned ornament. Overall this vessel has a whimsical feel, its energy activated by the lively actions of the figures.
This vase belongs to a series of vessels (many of them tripod-kothons) known as the Boeotian Dancers Group. Choice of figural subjects (especially the frolicking komasts), ornament, vase shape, and the painted style indicate a common workshop for the vases in the Group. Prevailing evidence suggests that the workshop was located in or near Tanagra in southeast Boeotia.
Drawn from
- DMA Label copy [1981.170].
- Karl Kilinski II, "Boeotian Black-Figure Tripod-Kothon" in Art, Myth, and Culture: Greek Vases from Southern Collections, (New Orleans Museum of Art: Tulane University, 1981), 142.
Fun Facts
Archival Resources
Web Resources
Notes
provenance updated
geo x ref updated
exhibition history updated
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Before 1981: anonymous, New York, New York
From 1981: Dallas Museum of Fine Arts, anonymous gift in memory of Edward Marcus, (accessioned December 31, 1981) [1], [2]
[1] See Acquisition Record, Collections Records Object File 1981.170
[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
rules
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Objects
number
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1981.170
source file
object_notes_2_c-0029.xml.nores