GENERAL DESCRIPTION
War and fighting were common subjects in ancient Greek culture, and were frequently depicted in art. In the scenes on this cup, the artist seems less interested in depicting actual combat than in rendering different types of combatants. They are not engaged with one another but simply put on display as miniature studies. Band cups belong to the category of "Little Master Cups" and were popularized in Athens from the 550s to about 520 BCE. The reserved strip between the handles accounts for the name and carries the figure decoration. Painters of these cups preferred a miniature scale for the figures, and the cup pictured here displays the artist's ability to design his scenes with a multitude of characters with appropriate detail and still allow for adequate spacing.
The compositions on both sides of the cup depict crowded scenes filled with warriors and artificial inscriptions. Each frieze of armed men contains three horsemen holding spears, wearing short white tunics, and except for a figure in the center of one side, cloaks. Interspersed around the horsemen are three warriors in armor, all with spears, and two men wearing or holding cloaks. The warriors wear low-crested helmets and greaves and hold round shields. These last vary in decoration: a ram, a starburst, and a lion for shield blazons on one side, and a starburst and a lion on the other, with the middle shield once covered with white paint. The rows of dots in the field around the figures give the semblance of letters in inscriptions, often without meaning, that regularly contribute to the subsidiary decoration of a figured scene.
Adapted from
Anne R. Bromberg, and Karl Kilinski II, Gods, Men, and Heroes: Ancient Art at the Dallas Museum of Art. (Seattle: University of Washington Press, 1996), 67.
NOTES
updated geo x ref
updated exhibition history
fun fact source:
Notes from visit of 24 April 1987 with Arielle Kozloff and Carlos Picon found in Collections Records Object File 1968.2
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1968: Elie Borowski, Basel, Switzerland
From 1968: Dallas Museum of Fine Arts, gift of the Dallas Foundation, purchased from above [1]
[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
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WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
This cup was broken and repaired in antiquity, the holes in this piece are from ancient staples which would have held it together, denoting how highly prized it was to its original owner.
TEACHING IDEAS
RULES
Apply to objects where number equals 1968.2
Category
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General Description
War and fighting were common subjects in ancient Greek culture, and were frequently depicted in art. In the scenes on this cup, the artist seems less interested in depicting actual combat than in rendering different types of combatants. They are not engaged with one another but simply put on display as miniature studies. Band cups belong to the category of "Little Master Cups" and were popularized in Athens from the 550s to about 520 BCE. The reserved strip between the handles accounts for the name and carries the figure decoration. Painters of these cups preferred a miniature scale for the figures, and the cup pictured here displays the artist's ability to design his scenes with a multitude of characters with appropriate detail and still allow for adequate spacing.
The compositions on both sides of the cup depict crowded scenes filled with warriors and artificial inscriptions. Each frieze of armed men contains three horsemen holding spears, wearing short white tunics, and except for a figure in the center of one side, cloaks. Interspersed around the horsemen are three warriors in armor, all with spears, and two men wearing or holding cloaks. The warriors wear low-crested helmets and greaves and hold round shields. These last vary in decoration: a ram, a starburst, and a lion for shield blazons on one side, and a starburst and a lion on the other, with the middle shield once covered with white paint. The rows of dots in the field around the figures give the semblance of letters in inscriptions, often without meaning, that regularly contribute to the subsidiary decoration of a figured scene.
Adapted from
Anne R. Bromberg, and Karl Kilinski II, Gods, Men, and Heroes: Ancient Art at the Dallas Museum of Art. (Seattle: University of Washington Press, 1996), 67.
Fun Facts
This cup was broken and repaired in antiquity, the holes in this piece are from ancient staples which would have held it together, denoting how highly prized it was to its original owner.
Archival Resources
Web Resources
Notes
updated geo x ref
updated exhibition history
fun fact source:
Notes from visit of 24 April 1987 with Arielle Kozloff and Carlos Picon found in Collections Records Object File 1968.2
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1968: Elie Borowski, Basel, Switzerland
From 1968: Dallas Museum of Fine Arts, gift of the Dallas Foundation, purchased from above [1]
[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
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VIDEO ASSETS
rules
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Objects
number
Equals
1968.2
source file
object_notes_2_c-0026.xml.nores