1996.34.A-B, Red figure patera with Atlas handle, attributed to the Painter of Louvre MNB 1148 (Trendall), Greek, South Italian, Apulian, last third of the fourth century BCE


GENERAL DESCRIPTION 
This patera, or offering bowl, is a rare type featuring a terracotta sculptural handle in the form of a male nude with a beard. He upholds the disk of the bowl in his upstretched hands which is likely a reference to the mythological character Atlas, a giant who carries the heavens on his shoulders. The temple of Zeus at Akragas, in Sicily, used such Atlantid figures as architectural supports, and this handle may have been inspired by sculptural prototypes. Only a handful of such Atlantid figures used as patera handles have survived.

Vessels such as these were used for pouring libations to the dead. The figures and the rich floral designs seen on the interior of the vessel have been interpreted as having Dionysiac or Orphic meaning, related to religious mystery cults popular in South Italy. The association of the new growth of green plants in the springtime with personal immortality for initiates was common in Dionysiac cults. 

This patera is from Apulia, the southeastern area of south Italy settled by Greek colonists, a region that is known for a rich style of ceramics based on techniques of Attic red-figure pottery, emphasizing complex figural compositions, added colors, and a monumentality of conception and scale. It nicely complements the DMA's extensive collection of gold jewelry from South Italy, especially since the figures depicted inside the bowl are wearing types of ornament from the fourth century B.C.E. The Greek cities of Italy were often wealthier than the older states on the mainland and thus were able to commission lavish decorative arts.

Adapted from
  • Anne Bromberg, "Red-figure patera with Atlas handle," in Dallas Museum of Art: A Guide to the Collection, ed. Charles Venable (New Haven, NJ: Yale University Press, 1997), 25.
  • Anne R. Bromberg, and Karl Kilinski II, Gods, Men, and Heroes: Ancient Art at the Dallas Museum of Art. (Seattle: University of Washington Press, 1996), 73.

NOTES
updated provenance, geo x-refs
Need to make connection to gold jewelry

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PROVENANCE 
Until 1996: Mr. Robert Haber (Robert Haber & Associates, Inc.), New York, New York  [1]

From 1996: Dallas Museum of Art, purchased from above

[1] See copy of check #5082 in Collections Records Object File 1996.34.a-b

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General Description
 
This patera, or offering bowl, is a rare type featuring a terracotta sculptural handle in the form of a male nude with a beard. He upholds the disk of the bowl in his upstretched hands which is likely a reference to the mythological character Atlas, a giant who carries the heavens on his shoulders. The temple of Zeus at Akragas, in Sicily, used such Atlantid figures as architectural supports, and this handle may have been inspired by sculptural prototypes. Only a handful of such Atlantid figures used as patera handles have survived.

Vessels such as these were used for pouring libations to the dead. The figures and the rich floral designs seen on the interior of the vessel have been interpreted as having Dionysiac or Orphic meaning, related to religious mystery cults popular in South Italy. The association of the new growth of green plants in the springtime with personal immortality for initiates was common in Dionysiac cults. 

This patera is from Apulia, the southeastern area of south Italy settled by Greek colonists, a region that is known for a rich style of ceramics based on techniques of Attic red-figure pottery, emphasizing complex figural compositions, added colors, and a monumentality of conception and scale. It nicely complements the DMA's extensive collection of gold jewelry from South Italy, especially since the figures depicted inside the bowl are wearing types of ornament from the fourth century B.C.E. The Greek cities of Italy were often wealthier than the older states on the mainland and thus were able to commission lavish decorative arts.

Adapted from
  • Anne Bromberg, "Red-figure patera with Atlas handle," in Dallas Museum of Art: A Guide to the Collection, ed. Charles Venable (New Haven, NJ: Yale University Press, 1997), 25.
  • Anne R. Bromberg, and Karl Kilinski II, Gods, Men, and Heroes: Ancient Art at the Dallas Museum of Art. (Seattle: University of Washington Press, 1996), 73.

Fun Facts

Archival Resources

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Notes
updated provenance, geo x-refs
Need to make connection to gold jewelry

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1996: Mr. Robert Haber (Robert Haber & Associates, Inc.), New York, New York  [1]

From 1996: Dallas Museum of Art, purchased from above

[1] See copy of check #5082 in Collections Records Object File 1996.34.a-b

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1996.34.a-b
tags
#draft
#completed
%copyedited_Gail
women: AAT: 300025943
*Classical Art
@Bowling
funerary objects: AAT: 300234126
nude: AAT: 300189568
%Archived
vessels (containers): AAT: 300193015
handles: AAT: 300024927
mythical or legendary beings: AAT: 300375725
men: AAT: 300025928
jewelry: AAT: 300209286
human figures: AAT: 300404114
offering (tribute/payment/economic concepts/social science concepts): AAT: 300417700
religious objects: AAT: 300234098
beards: AAT: 300379263
grapes (berry fruit): AAT: 300379338
Greece_Ancient: TGN: 7594735
Greek_Ancient (culture or style): AAT: 300020072
flower (motif): AAT: 300375563
cult objects (religious objects): AAT: 300178245
laurel wreaths: AAT: 300400705
terracotta: AAT: 300010669
Apulia (region/Italy): TGN: 7010380
source file
object_notes_2_c-0024.xml.nores