1985.R.953.A-B, Bowl, porcelain, Jingdeshen, China, c. 1640-1650


GENERAL DESCRIPTION  
The underglaze blue decoration on this bowl dates it to the 1640s. A potted peony bush symbolizing spring, love, and feminine beauty is depicted on the interior's bottom. On the inner wall are six panels containing stylized peach branches. The peach is believed to ward off evil and represents springtime, marriage, and immortality. The six exterior panels contain scenes featuring bamboo, flowers, and birds. 

Excerpt from
Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 92.

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PROVENANCE 
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]

[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

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The Metropolitan Museum of Art~Read more about Chinese Export Porcelain

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General Description
 
The underglaze blue decoration on this bowl dates it to the 1640s. A potted peony bush symbolizing spring, love, and feminine beauty is depicted on the interior's bottom. On the inner wall are six panels containing stylized peach branches. The peach is believed to ward off evil and represents springtime, marriage, and immortality. The six exterior panels contain scenes featuring bamboo, flowers, and birds. 

Excerpt from
Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 92.

Fun Facts

Archival Resources

Web Resources
 
The Metropolitan Museum of Art~Read more about Chinese Export Porcelain

Notes
TMS Updates
provenance
search dates
text entry
place of origin

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]

[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

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1985.R.953.A-B
tags
#draft
#completed
%copyedited_Gail
%Archived
vessels (containers): AAT: 300193015
birds (motifs): AAT: 300375751
*Decorative Arts and Design
decorative arts: AAT: 300054168
@bartsch-allen
white (color): AAT: 300129784
containers (hierarchy name): AAT: 300045611
containers (receptacles): AAT: 300197197
blue (color): AAT: 300129361
Europe (continent): TGN: 1000003
Reves_Wendy: DMA
Reves_Emery: DMA
Villa La Pausa: DMA
Reves_Emery: ULAN: 500444887
symbolism: AAT: 300055865
bowls (vessels): AAT: 300203596
symbol: AAT: 300055878
beauty (aesthetic concepts): AAT: 300055821
porcelain (visual works): AAT: 300386874
porcelain (material): AAT: 300010662
Chinese export porcelain: AAT: 300387409
famille (ceramics style): AAT: 300265757
marriage (social construct): AAT: 300055475
flower (motif): AAT: 300375563
underglazing (pottery): AAT: 300048642
peonies (paeonia): AAT: 300380052
love: AAT: 300055165
bamboo (plant): AAT: 300311500
peach (fruit): AAT: 300266272
spring (season): AAT: 300133097
evil (philosophical concepts): AAT: 300410285
source file
object_notes_2_b-0495.xml.nores