2003.22.A-D Corner relief with devatas


GENERAL DESCRIPTION  
The Khmer kings of the 9th to 12th centuries were Hindus who most often worshipped the god Shiva. Thus the Khmer temples constructed before the reign of Jayavarman VII (r. 1181–c. 1201 CE) are generally Hindu temples dedicated to both the gods and either ancestors of a king or the king himself. At the end of the 12th century, Jayavarman VII's rise to power and conversion to Buddhism resulted in his desire to do good works, and he established numerous temples, hospitals, and roads. 

His avid support of Buddhism meant the construction of many temples, so many, in fact, that production was often hurried and frequently sloppy, resulting in the ruined state of many of these temples today. The artists sculpted decoration in situ, décor that remained surprisingly consistent in theme with that of the earlier Hindu temples. Guardians stood at the doorways which were mounted by elaborate lintels, and auspicious females adorned the surface of the temples. The females, devatas (minor goddesses) or asparas (celestial beings), represent a type or class of being, rather than specific deities, and are important for imbuing the temple with auspiciousness. The number of devatas carved on the exterior walls of the temples is often breathtaking—Angkor Wat has more than two thousand. 

Throughout these temples, the representation of female figures follows a predictable course. They are frontal and placed within an arched niche of foliate pattern or with foliage above the niche. The devatas wear elaborate headdresses that vary from figure to figure, as well as extensive jewelry and elaborately wrapped skirts that, during the Bayon period, are generally decorated with floral patterns. Most of these auspicious females hold a flower. Although of a type, the carving of the headdresses of these two figures, with the varied floral motifs and facial expressions, the aspara on the left depicted with lowered eyes, illustrate the variety of these auspicious females. 

Excerpt from
  • Nancy Tingley, "Corner relief with devatas," in The Arts of India, South East Asia, and the Himalayas, Anne R. Bromberg (Dallas: Dallas Museum of Art; New Haven: Yale University Press, 2013), 224.

NOTES

Catalogue essays

Artist/designers

Cultures
Khmer: AAT: 300386546

Geography 
Cambodia (nation): TGN: 1000109

Process/materials
sandstone: AAT: 300011376
sculpture: AAT: 300047090

Historical periods
Bayon: AAT: 300019136

Individuals
Jayavarman VII: AAT: 300019175

Subject terms
flower (motif): AAT: 300375563
flowers (plants): AAT: 300132399
foliation (pattern): AAT: 300165104
headdresses: AAT: 300046023
Hinduism: AAT: 300073727
jewelry: AAT: 300209286
protection: AAT: 300164923
sacred spaces: AAT: 300400518
Shiva (Hindu deity): DMA
Temples: AAT: 300007595

RELATED OBJECTS 

PROVENANCE 
2003: Dallas Museum of Art, gift of David T. Owsley via the Alconda-Owsley Foundation and the Alvin and Lucy Owsley Foundation, purchased at auction, "Asian Ceramics and Works of Art," Christie's, Amsterdam, May 20-21, 2003, lot 696, as "A Khmer stone double panel" [1]

The main source for this provenance is the Committee on Collections Record dated September 10, 2003, copy in Dallas Museum of Art Collections Records object file. 

[1] For auction details, see the invoice from Christie's Amsterdam to the Dallas Museum of Art, dated May 20, 2003, copy in object file. 

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General Description
 
The Khmer kings of the 9th to 12th centuries were Hindus who most often worshipped the god Shiva. Thus the Khmer temples constructed before the reign of Jayavarman VII (r. 1181–c. 1201 CE) are generally Hindu temples dedicated to both the gods and either ancestors of a king or the king himself. At the end of the 12th century, Jayavarman VII's rise to power and conversion to Buddhism resulted in his desire to do good works, and he established numerous temples, hospitals, and roads. 

His avid support of Buddhism meant the construction of many temples, so many, in fact, that production was often hurried and frequently sloppy, resulting in the ruined state of many of these temples today. The artists sculpted decoration in situ, décor that remained surprisingly consistent in theme with that of the earlier Hindu temples. Guardians stood at the doorways which were mounted by elaborate lintels, and auspicious females adorned the surface of the temples. The females, devatas (minor goddesses) or asparas (celestial beings), represent a type or class of being, rather than specific deities, and are important for imbuing the temple with auspiciousness. The number of devatas carved on the exterior walls of the temples is often breathtaking—Angkor Wat has more than two thousand. 

Throughout these temples, the representation of female figures follows a predictable course. They are frontal and placed within an arched niche of foliate pattern or with foliage above the niche. The devatas wear elaborate headdresses that vary from figure to figure, as well as extensive jewelry and elaborately wrapped skirts that, during the Bayon period, are generally decorated with floral patterns. Most of these auspicious females hold a flower. Although of a type, the carving of the headdresses of these two figures, with the varied floral motifs and facial expressions, the aspara on the left depicted with lowered eyes, illustrate the variety of these auspicious females. 

Excerpt from
  • Nancy Tingley, "Corner relief with devatas," in The Arts of India, South East Asia, and the Himalayas, Anne R. Bromberg (Dallas: Dallas Museum of Art; New Haven: Yale University Press, 2013), 224.

Fun Facts

Archival Resources

Web Resources
 

Notes

Catalogue essays

Artist/designers

Cultures
Khmer: AAT: 300386546

Geography 
Cambodia (nation): TGN: 1000109

Process/materials
sandstone: AAT: 300011376
sculpture: AAT: 300047090

Historical periods
Bayon: AAT: 300019136

Individuals
Jayavarman VII: AAT: 300019175

Subject terms
flower (motif): AAT: 300375563
flowers (plants): AAT: 300132399
foliation (pattern): AAT: 300165104
headdresses: AAT: 300046023
Hinduism: AAT: 300073727
jewelry: AAT: 300209286
protection: AAT: 300164923
sacred spaces: AAT: 300400518
Shiva (Hindu deity): DMA
Temples: AAT: 300007595

RELATED OBJECTS 

PROVENANCE 
2003: Dallas Museum of Art, gift of David T. Owsley via the Alconda-Owsley Foundation and the Alvin and Lucy Owsley Foundation, purchased at auction, "Asian Ceramics and Works of Art," Christie's, Amsterdam, May 20-21, 2003, lot 696, as "A Khmer stone double panel" [1]

The main source for this provenance is the Committee on Collections Record dated September 10, 2003, copy in Dallas Museum of Art Collections Records object file. 

[1] For auction details, see the invoice from Christie's Amsterdam to the Dallas Museum of Art, dated May 20, 2003, copy in object file. 

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rules
Apply To
Objects
number
Equals
2003.22.A-D
tags
#draft
#completed
%copyedited_Gail
sculpture: AAT: 300047090
%Archived
jewelry: AAT: 300209286
headdresses: AAT: 300046023
*Arts of Asia
@Courtney
#routed
flowers (plants): AAT: 300132399
Buddhism: AAT: 300073738
sacred spaces: AAT: 300400518
protection: AAT: 300164923
flower (motif): AAT: 300375563
foliation (pattern): AAT: 300165104
Hinduism: AAT: 300073727
sandstone: AAT: 300011376
Temples: AAT: 300007595
Cambodia (nation): TGN: 1000109
Bayon: AAT: 300019136
Khmer: AAT: 300386546
Shiva (Hindu deity): DMA
Jayavarman VII: AAT: 300019175
source file
object_notes_2_b-0448.xml.nores