GENERAL DESCRIPTION
This Roman head is of the finest quality of the imperial workshops in the late Hadrianic or early Antonine period. The emperor Hadrian had begun a fashion for portraying himself bearded like a Greek philosopher. His love of things Greek led to a revival of classical Greek style applied to typical Roman art forms like state reliefs and portraits of distinguished Romans. This elegant style continued under Hadrian's successor, Antoninus Pius. The bravura carving of this splendid head, with its pensive expression and subtle contrast between the light beard and curly hair is close to portraits of Antoninus Pius, though with more character than the stolid-appearing emperor.
This portrait head of a man contrasts strongly with the DMA's Head of a young man (1984.163), though they are close to each other in date. The depiction of an older man—mature, serious, and quiet, contrasts with the softer, more sensuous treatment of the marble of the youth. The lines of the bearded man add to the sense of dignity and wisdom through life experience.
Adapted from
- Bonnie Pitman, ed., Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 141.
- Anne Bromberg, DMA Label copy, April 2001.
NOTES
Catalogue essays
Artist/designers
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RELATED OBJECTS
PROVENANCE
1950s-1999: Collection of Dr. Jacob Hirsch, Munich, Germany [1], [2]
From 1999: Dallas Museum of Art, purchased at auction, "Antiquities and Islamic Works of Art," Sotheby's, New York, June 5, 1999, Sale number 7323, Lot 200, as "A Marble portrait head of a man," gift of David T. Owsley through the Alvin and Lucy Owsley Foundation
[1] Sotheby's catalog, "Antiquities," New York, Saturday, June 5, 1999, lot 200 description
[2] date is from the acquisition justification written by Anne Bromberg
AUDIO ASSETS
VIDEO ASSETS
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WEB RESOURCES
- Metropolitan Museum of Art~Compare the DMA's Portrait head of a man to a portrait of Antoninus Pius.
ARCHIVAL RESOURCES
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Apply to objects where number equals 1999.115
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General Description
This Roman head is of the finest quality of the imperial workshops in the late Hadrianic or early Antonine period. The emperor Hadrian had begun a fashion for portraying himself bearded like a Greek philosopher. His love of things Greek led to a revival of classical Greek style applied to typical Roman art forms like state reliefs and portraits of distinguished Romans. This elegant style continued under Hadrian's successor, Antoninus Pius. The bravura carving of this splendid head, with its pensive expression and subtle contrast between the light beard and curly hair is close to portraits of Antoninus Pius, though with more character than the stolid-appearing emperor.
This portrait head of a man contrasts strongly with the DMA's Head of a young man (1984.163), though they are close to each other in date. The depiction of an older man—mature, serious, and quiet, contrasts with the softer, more sensuous treatment of the marble of the youth. The lines of the bearded man add to the sense of dignity and wisdom through life experience.
Adapted from
- Bonnie Pitman, ed., Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 141.
- Anne Bromberg, DMA Label copy, April 2001.
Fun Facts
Archival Resources
Web Resources
- Metropolitan Museum of Art~Compare the DMA's Portrait head of a man to a portrait of Antoninus Pius.
Notes
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
1950s-1999: Collection of Dr. Jacob Hirsch, Munich, Germany [1], [2]
From 1999: Dallas Museum of Art, purchased at auction, "Antiquities and Islamic Works of Art," Sotheby's, New York, June 5, 1999, Sale number 7323, Lot 200, as "A Marble portrait head of a man," gift of David T. Owsley through the Alvin and Lucy Owsley Foundation
[1] Sotheby's catalog, "Antiquities," New York, Saturday, June 5, 1999, lot 200 description
[2] date is from the acquisition justification written by Anne Bromberg
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VIDEO ASSETS
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