2009.32.5.1-2 Josef Maria Olbrich, "Muster Nr. 2000" fish knife and fork


GENERAL DESCRIPTION    
Progressive architect Joseph Maria Olbrich was one of the founders of the Vienna Secession, along with Gustav Klimt, Koloman Moser, and Josef Hoffmann. One of Olbrich’s most famous—and at the time most controversial—buildings was his Secession Hall of 1897, where participating modern artists displayed their work in a series of regular exhibitions. While derided as “the golden cabbage” for its gilded, foliate spherical cap, its bold form became an icon of the new artistic movement and remains one of the city’s landmarks. Widely published, Olbrich’s work had a profound influence upon the artistic legacy of Vienna, brought to the United States directly through examples seen in the German and Austrian displays at the 1904 St. Louis World’s Fair. 

Excerpt from
Samantha Robinson, Label text (2009.32.5.1-2), Conservation Galleries, 2014.

NOTES
TMS Updates - Text entry and GeoXrefs, place of birth/death, manufactured in, place of origin, designed in - 10/12/17 JBA
Updated source and rule - JBA 10/1/2017

I uploaded the "Modern Opulence in Vienna: The Wittgenstein Vitrine" label copy to TMS as a new Text Entry. 

I updated Provenance, Exhibition History, Bibliography, and Published References in TMS. 

I updated the constituent records for Joseph Maria Olbrich, Clarfeld & Springermeyer, and Ludwig Zeich to include Nationality and birth/death or start/end dates. Further research revealed that Clarfeld & Springermeyer and Ludwig Zeich are two companies, the former produced blanks that the latter finished. See: Rudoe, Judy. Decorative Arts 1850-1950: A Catalogue of the British Museum. Second Edition. London: British Museum Press, 1994. Illustrated: no. 225.

Catalogue essays 

Artist/designers

Cultures  

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS     
2009.32.5.2 Joseph Maria Olbrich, "Muster Nr. 2000" fish fork

Provenance known?
Until 2009: William P. Hood, Jr., Dothan, Alabama

From 2009: Dallas Museum of Art, gift of the above

AUDIO ASSETS     

VIDEO ASSETS   

IMAGE ASSETS    
[INSERT UMO]

WEB RESOURCES  
Secession, Association of Visual Artists Vienna Secession~Learn more about the Secession Building designed by Joseph Maria Olbrich.

ARCHIVAL RESOURCES 

FUN FACTS     

TEACHING IDEAS  

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General Description
   
Progressive architect Joseph Maria Olbrich was one of the founders of the Vienna Secession, along with Gustav Klimt, Koloman Moser, and Josef Hoffmann. One of Olbrich’s most famous—and at the time most controversial—buildings was his Secession Hall of 1897, where participating modern artists displayed their work in a series of regular exhibitions. While derided as “the golden cabbage” for its gilded, foliate spherical cap, its bold form became an icon of the new artistic movement and remains one of the city’s landmarks. Widely published, Olbrich’s work had a profound influence upon the artistic legacy of Vienna, brought to the United States directly through examples seen in the German and Austrian displays at the 1904 St. Louis World’s Fair. 

Excerpt from
Samantha Robinson, Label text (2009.32.5.1-2), Conservation Galleries, 2014.

Fun Facts
    

Archival Resources
 

Web Resources
 
Secession, Association of Visual Artists Vienna Secession~Learn more about the Secession Building designed by Joseph Maria Olbrich.

Notes
TMS Updates - Text entry and GeoXrefs, place of birth/death, manufactured in, place of origin, designed in - 10/12/17 JBA
Updated source and rule - JBA 10/1/2017

I uploaded the "Modern Opulence in Vienna: The Wittgenstein Vitrine" label copy to TMS as a new Text Entry. 

I updated Provenance, Exhibition History, Bibliography, and Published References in TMS. 

I updated the constituent records for Joseph Maria Olbrich, Clarfeld & Springermeyer, and Ludwig Zeich to include Nationality and birth/death or start/end dates. Further research revealed that Clarfeld & Springermeyer and Ludwig Zeich are two companies, the former produced blanks that the latter finished. See: Rudoe, Judy. Decorative Arts 1850-1950: A Catalogue of the British Museum. Second Edition. London: British Museum Press, 1994. Illustrated: no. 225.

Catalogue essays 

Artist/designers

Cultures  

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS     
2009.32.5.2 Joseph Maria Olbrich, "Muster Nr. 2000" fish fork

Provenance known?
Until 2009: William P. Hood, Jr., Dothan, Alabama

From 2009: Dallas Museum of Art, gift of the above

AUDIO ASSETS     

VIDEO ASSETS   

rules
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Objects
number
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2009.32.5.1
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Objects
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2009.32.5.2
tags
#draft
#completed
%copyedited_Gail
knives: AAT: 300024668
*Decorative Arts and Design
decorative arts: AAT: 300054168
copper (metal): AAT: 300011020
shiny (shine): AAT: 300065244
alloy: AAT: 300010902
engraving (action): AAT: 300053829
@Robinson
zinc: AAT: 300011037
Hamburg (Germany): TGN: 7005289
fish knives: AAT: 300043126
Art Nouveau: AAT: 300021430
flatware: AAT: 300199800
Viennese Secession (Vienna Secession/ artists group): ULAN: 500312642
utensils: AAT: 300241917
forks (flatware): AAT: 300043099
fish forks (place forks): AAT: 300043109
silver plating (process): AAT: 300380124
Jugendstil: AAT: 300021313
Olbrich_Josef Maria: ULAN: 500120003
Czech Republic (nation): TGN: 1001780
nickel (metal): AAT: 300011020
Clarfeld & Springmeyer: DMA
Ludwig Ziech Vereinigte Silberbesteckfabrik: DMA
Hemer (Germany): TGN: 7012500
Austrian Silesia (historical region/Europe): TGN: 5000070
Austria-Hungary (former nation/state/empire): TGN: 6000511
German silver: AAT: 300136730
source file
object_notes_2_b-0344.xml.nores