2016.30.1.FA Josef Albers, Windows


GENERAL DESCRIPTION  
Windows belongs to the second phase of Josef Albers’ sandblasted flashed glass production, which began around 1929. Likely inspired by photography, he reduced his palette to white, gray, and black tones. Albers started with black flashed glass (a sheet of opaque white glass coated with a thin layer of black glass) onto which he sandblasted his design. By controlling the intensity of the sandblasting, he could produce both matte gray and white forms.

True to Bauhaus principles, Albers associated his “glass paintings” with architecture. Here, the artist used both positive and negative space to suggest the forms of windowpanes. The juxtaposition and overlapping of large and small windows create the illusion of spatial depth and suggest the transparency of certain forms, in spite of their opacity. This play on the material properties of glass is evident in the work’s title and subject. While windows are typically transparent, Albers’ flashed glass panel and the windows he etched on its surface are not.

Excerpt from
DMA label copy.

NOTES
Created 1929

Checked Piction

Geography might be Weimar or Berlin

Description:  NOTE: THIS WORK MUST BE PUBLICLY DISPLAYED AT THE DMA NOT LESS THAN 90 DAYS DURING EACH CALENDAR YEAR.

Catalogue essays

Artist/designers
Albers, Josef (American, born Germany, 1888-1976)

Cultures

Geography 
Place of origin: Germany (nation): TGN: 7000084

Process/materials
Sandblasted opaque black flashed glass (with pressed wood frame)

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
Apply to objects where number equals 2016.30.1.FA


Category
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General Description
 
Windows belongs to the second phase of Josef Albers’ sandblasted flashed glass production, which began around 1929. Likely inspired by photography, he reduced his palette to white, gray, and black tones. Albers started with black flashed glass (a sheet of opaque white glass coated with a thin layer of black glass) onto which he sandblasted his design. By controlling the intensity of the sandblasting, he could produce both matte gray and white forms.

True to Bauhaus principles, Albers associated his “glass paintings” with architecture. Here, the artist used both positive and negative space to suggest the forms of windowpanes. The juxtaposition and overlapping of large and small windows create the illusion of spatial depth and suggest the transparency of certain forms, in spite of their opacity. This play on the material properties of glass is evident in the work’s title and subject. While windows are typically transparent, Albers’ flashed glass panel and the windows he etched on its surface are not.

Excerpt from
DMA label copy.

Fun Facts

Archival Resources

Web Resources
 
Notes
Created 1929

Checked Piction

Geography might be Weimar or Berlin

Description:  NOTE: THIS WORK MUST BE PUBLICLY DISPLAYED AT THE DMA NOT LESS THAN 90 DAYS DURING EACH CALENDAR YEAR.

Catalogue essays

Artist/designers
Albers, Josef (American, born Germany, 1888-1976)

Cultures

Geography 
Place of origin: Germany (nation): TGN: 7000084

Process/materials
Sandblasted opaque black flashed glass (with pressed wood frame)

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
2016.30.1.FA
tags
#draft
#completed
%copyedited_Gail
%Archived
painting (visual works): AAT: 300033618
lines (geometric concept): AAT: 300056279
@Russell
windows: AAT: 300002944
glass (material): AAT: 300010797
#routed
*European Art
black (color): AAT: 300130920
Germany (nation): TGN: 7000084
gray (color): AAT: 300130811
Bauhaus: AAT: 300021432
Albers_Josef: ULAN: 500033049
sandblasting: AAT: 300053031
flashed glass: AAT: 300263715
source file
object_notes_2_b-0324.xml.nores