GENERAL DESCRIPTION
The Tuareg are a seminomadic people of Amazigh origin (also known as Berbers) who dwell in tents (ehen) that can, along with their furnishings and possessions, be disassembled, packed, and carried to their next destination. Continuing desertification of the Sahel has caused the Tuareg to move southward from Algeria into Mali, Burkina Faso, and Niger as well as the northern regions of Ghana, Togo, Cote d'Ivoire, and Benin.
Tuareg tents are made of arched wooden frames covered with goatskins or straw mats. Poles were used in tents as supports for the roof of sewn goatskins, as supports for the woven straw mat walls surrounding the tent, or for separating interior private spaces. Leather bags or clothing were hung on shorter poles, which also functioned as cushion supports. Tall tent poles (ehel) like this pair secure reed wall mats around the bed for privacy or for protection from the elements. Each of these poles is intricately carved with geometric openwork patterns that create a symmetrical design. Tent poles were carved by men who belonged to ineden, an association of men of earthly knowledge, history, and technology.
Adapted from
- Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 226-227.
- Roslyn A. Walker, Label text, Arts of Africa, 2015.
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Until 1999: Dintenfass Collection, New York
1999: Dallas Museum of Art, gift from above
See the copy of the Deed of Gift in the Collections Records object file (1999.6.1-2).
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General Description
The Tuareg are a seminomadic people of Amazigh origin (also known as Berbers) who dwell in tents (ehen) that can, along with their furnishings and possessions, be disassembled, packed, and carried to their next destination. Continuing desertification of the Sahel has caused the Tuareg to move southward from Algeria into Mali, Burkina Faso, and Niger as well as the northern regions of Ghana, Togo, Cote d'Ivoire, and Benin.
Tuareg tents are made of arched wooden frames covered with goatskins or straw mats. Poles were used in tents as supports for the roof of sewn goatskins, as supports for the woven straw mat walls surrounding the tent, or for separating interior private spaces. Leather bags or clothing were hung on shorter poles, which also functioned as cushion supports. Tall tent poles (ehel) like this pair secure reed wall mats around the bed for privacy or for protection from the elements. Each of these poles is intricately carved with geometric openwork patterns that create a symmetrical design. Tent poles were carved by men who belonged to ineden, an association of men of earthly knowledge, history, and technology.
Adapted from
- Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 226-227.
- Roslyn A. Walker, Label text, Arts of Africa, 2015.
Fun Facts
Archival Resources
Web Resources
Notes
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1999: Dintenfass Collection, New York
1999: Dallas Museum of Art, gift from above
See the copy of the Deed of Gift in the Collections Records object file (1999.6.1-2).
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1999.6.1
source file
object_notes_2_b-0295.xml.nores