1942.109 Käthe Kollwitz, Memorial Sheet of Karl Liebknecht (Gedenkblatt für Karl Liebknecht)


GENERAL DESCRIPTION  
The German expressionist artist Käthe Kollwitz intended to become a painter, but devoted her career to drawing, printmaking, and sculpture. While other artists of her generation experimented with abstraction, Kollwitz never swayed from studying the human form. Her intensely expressive figures communicate strong emotions through facial expressions and gestures.

Kollwitz believed that art should serve a noble and ulterior purpose—it should speak to the people. She preferred etchings and lithographs so that her work could be reproduced and distributed widely and cheaply. She continually repeated favored themes and forms as the basis of her social commentary: images of mother and child, her own self-portrait, and images of death, endurance, war, and suffering.

This woodcut depicts workers gathered to mourn their dead leader, Karl LIebknecht, a leftist revolutionary who was assassinated in 1919 during the turbulent years of Germany's Weimar Republic. The facial expressions and general composition recall traditional images of the Lamentation of Christ, an allusion further emphasized by the halo of bright marks around Liebknecht's head.

Memorial Sheet to Karl Liebknecht exemplifies Kollwitz's two passions: printmaking and social engagement. The death of her son in World War I and the atrocities associated with the political strife of the Weimar Republic moved Kollwitz to seek new artistic and technical means. Inspired by the expressionist woodcuts of Ernst Barlach, she was convinced that the woodcut technique would communicate her message most clearly. This print was her first experiment in the medium, and its simplicity and stark contrasts emphasize Kollwitz's essential emotional eloquence.

Excerpt from
Melinda Klayman, "Memorial Sheet of Karl Liebknecht", in Dallas Museum of Art: A Guide to the Collection, ed. Suzanne Kotz (Dallas, TX: Dallas Museum of Art, 1997), 122.

NOTES
Created 1919-1920

Checked Piction

Text entry added for 1997 guide.

Inscriptions: Titled in white wash at the lower left in the image: "Dem Gedenken Karl Liebknechts"; Inscribed "2. Zustand" at the lower left in pencil and "Umcat!" at the bottom right in pencil.

2nd state

Catalogue essays

Artist/designers
Kollwitz, Käthe (German, 1867-1945)

Cultures

Geography 
Place of origin and depicted location: Berlin (Germany): TGN: 7003712

Process/materials
Woodcut heightened with white and black ink

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

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Apply to objects where number equals 1942.109

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General Description
 
The German expressionist artist Käthe Kollwitz intended to become a painter, but devoted her career to drawing, printmaking, and sculpture. While other artists of her generation experimented with abstraction, Kollwitz never swayed from studying the human form. Her intensely expressive figures communicate strong emotions through facial expressions and gestures.

Kollwitz believed that art should serve a noble and ulterior purpose—it should speak to the people. She preferred etchings and lithographs so that her work could be reproduced and distributed widely and cheaply. She continually repeated favored themes and forms as the basis of her social commentary: images of mother and child, her own self-portrait, and images of death, endurance, war, and suffering.

This woodcut depicts workers gathered to mourn their dead leader, Karl LIebknecht, a leftist revolutionary who was assassinated in 1919 during the turbulent years of Germany's Weimar Republic. The facial expressions and general composition recall traditional images of the Lamentation of Christ, an allusion further emphasized by the halo of bright marks around Liebknecht's head.

Memorial Sheet to Karl Liebknecht exemplifies Kollwitz's two passions: printmaking and social engagement. The death of her son in World War I and the atrocities associated with the political strife of the Weimar Republic moved Kollwitz to seek new artistic and technical means. Inspired by the expressionist woodcuts of Ernst Barlach, she was convinced that the woodcut technique would communicate her message most clearly. This print was her first experiment in the medium, and its simplicity and stark contrasts emphasize Kollwitz's essential emotional eloquence.

Excerpt from
Melinda Klayman, "Memorial Sheet of Karl Liebknecht", in Dallas Museum of Art: A Guide to the Collection, ed. Suzanne Kotz (Dallas, TX: Dallas Museum of Art, 1997), 122.

Fun Facts

Archival Resources

Web Resources
 
Notes
Created 1919-1920

Checked Piction

Text entry added for 1997 guide.

Inscriptions: Titled in white wash at the lower left in the image: "Dem Gedenken Karl Liebknechts"; Inscribed "2. Zustand" at the lower left in pencil and "Umcat!" at the bottom right in pencil.

2nd state

Catalogue essays

Artist/designers
Kollwitz, Käthe (German, 1867-1945)

Cultures

Geography 
Place of origin and depicted location: Berlin (Germany): TGN: 7003712

Process/materials
Woodcut heightened with white and black ink

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1942.109
tags
#draft
#completed
%Archived
human figures: AAT: 300404114
@Russell
#routed
*European Art
infants (children): AAT: 300189561
profiles (vantage point for figure): AAT: 300123319
deaths: AAT: 300151836
Berlin (Germany): TGN: 7003712
Germany (nation): TGN: 7000084
ink: AAT: 300015012
expressionist (style): AAT: 300021502
woodcuts (prints): AAT: 300041405
Weimar (Germany): TGN: 7012886
grief: AAT: 300055162
assassinations: AAT: 300069682
corpses (bodies): AAT: 300410264
source file
object_notes_2_b-0263.xml.nores