GENERAL DESCRIPTION
The dominant motif appliquéd on this garment is a double gong, the emblem of a men’s regulatory society. The actual ceremonial gong was made of iron, a precious but mysterious metal believed to be imbued with special powers. During the pre-colonial era, the regulatory society was so powerful it could punish a king for wrongdoing, banish him, or execute him. Now, tunics displaying this emblem are worn by dignitaries at traditional festivals and on ceremonial occasions.
This style of garment is a variation on the Islamic robes that were introduced along with Islam. Originally imported from North Africa, such garments were eventually produced locally by Hausa tailors. The round neckline, lack of a central pocket, and appliquéd and/or embroidered motifs are Kom adaptations of the foreign dress.
Adapted from
Roslyn A. Walker, Add to, Take Away: Artistry and Innovation in African Textiles, Label text, 2014.
NOTES
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Artist/designers
Cultures
Geography
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RELATED OBJECTS
PROVENANCE
2010: Dallas Museum of Art, purchased from Jonathan Hope, London
The main source for this provenance is the invoice dated December 21, 2010, in the Collections Records object file (2010.37).
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WEB RESOURCES
- University of Iowa Museum of Art, Art & Life in Africa~Learn more about Islam and Islamic arts in Africa.
- University of Iowa Museum of Art, Art & Life in Africa~Read an essay about dress in African cultures.
- University of Iowa Museum of Art, Art & Life in Africa~Learn more about African textiles.
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Apply to objects where number equals 2010.37
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General Description
The dominant motif appliquéd on this garment is a double gong, the emblem of a men’s regulatory society. The actual ceremonial gong was made of iron, a precious but mysterious metal believed to be imbued with special powers. During the pre-colonial era, the regulatory society was so powerful it could punish a king for wrongdoing, banish him, or execute him. Now, tunics displaying this emblem are worn by dignitaries at traditional festivals and on ceremonial occasions.
This style of garment is a variation on the Islamic robes that were introduced along with Islam. Originally imported from North Africa, such garments were eventually produced locally by Hausa tailors. The round neckline, lack of a central pocket, and appliquéd and/or embroidered motifs are Kom adaptations of the foreign dress.
Adapted from
Roslyn A. Walker, Add to, Take Away: Artistry and Innovation in African Textiles, Label text, 2014.
Fun Facts
Archival Resources
Web Resources
- University of Iowa Museum of Art, Art & Life in Africa~Learn more about Islam and Islamic arts in Africa.
- University of Iowa Museum of Art, Art & Life in Africa~Read an essay about dress in African cultures.
- University of Iowa Museum of Art, Art & Life in Africa~Learn more about African textiles.
Notes
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
2010: Dallas Museum of Art, purchased from Jonathan Hope, London
The main source for this provenance is the invoice dated December 21, 2010, in the Collections Records object file (2010.37).
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2010.37
source file
object_notes_2_b-0248.xml.nores