GENERAL DESCRIPTION
The Cupisnique culture of north coast Peru shared in the flowering of ancient Peruvian arts during the 1st millennium BCE. Its most distinctive portable art forms were dark gray highly burnished sculptural ceramics and small stone ritual containers. These small vessels likely served as ritual paraphernalia. The gemlike carving of this rare anthracite example depicts low-relief images of frontal, fanged jawless faces with serpents and seated profile figures holding trophy heads. The faces and figures recall the principal deity in the art of Chavín de Huántar, but the exuberant treatment of form identifies the style as Cupisnique. Anthracite, the hardest of the various coals, was used extensively to make the mirrors and undecorated containers found in Cupisnique burials, but it is extremely rare as a material for such a highly decorated object. A beautiful metallic luster rewarded the artist who mastered this friable material.
Excerpt from
Label text, A. H. Meadows Galleries.
NOTES
- Cupisnique, Early Horizon, 900-200 B.C., updated by KJones in TMS on 10/15/13 and 06/18/14.
- Fun Facts Source: TMS, Front Card / Description.
- General Description drawn from: DMA Label Copy (1998.75), n.d.
Catalogue essays
Artist/designers
Cultures
Chavín horizon: AAT: 300017269
Cupisnique (Coast Chavin): AAT: 30017270
Geography
Peru (nation): TGN: 1000056
Jequetepeque (Río): TGN: 1125162
Process/materials
anthracite (coal): AAT: 300015140
carving: AAT: 300053149
incising: AAT: 300053847
polishing (finishing): AAT: 300053867
burnishing (polishing): AAT: 30053869
Historical periods
Early Horizon: AAT: 300017267
Individuals
Subject terms
vessels (containers): AAT: 300193015
cups (drinking vessels): AAT: 300043202
deities: AAT: 300343850
shiny (shine): AAT: 300065244
jaguar: AAT: 300310389
eagle (bird): AAT: 300250049
serpents (snakes/Serpentes suborder): AAT: 300250870
fangs (teeth): DMA
figures: AAT: 300189808
faces (animal or human components): AAT: 300251798
metallic (color attribute): AAT: 300311171
luster (optical property): AAT: 300056162
alligators (animals): AAT: 300252286
caimans (alligators / Crocodilia order / Alligatoridae family): DMA
transformations (concepts / processes): DMA
staff god (Chavín/Early horizon deity): DMA
trophy heads (trophies of war): DMA
trophies (objects): AAT: 300233975
trophies of war (objects): AAT: 300379111
black (color): AAT: 300130920
shiny: AAT: 300065244
shine: AAT: 300065244
RELATED OBJECTS
PROVENANCE
Until 1998: Rare Finds (Michael Bernstein), Tuscon [1]
From 1998: Dallas Museum of Art, The Otis and Velma Davis Dozier Fund, purchased from the above [2]
[1] The main source for this provenance is Object Receipt (dated August 13, 1997, copy in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.
[2] The main source for this provenance is Committee on Collections Record (dated May 12, 1998, copy in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
- This vessel is accompanied by a lidded container.
TEACHING IDEAS
RULES
Apply to objects where number equals 1998.75
Category
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AND
General Description
The Cupisnique culture of north coast Peru shared in the flowering of ancient Peruvian arts during the 1st millennium BCE. Its most distinctive portable art forms were dark gray highly burnished sculptural ceramics and small stone ritual containers. These small vessels likely served as ritual paraphernalia. The gemlike carving of this rare anthracite example depicts low-relief images of frontal, fanged jawless faces with serpents and seated profile figures holding trophy heads. The faces and figures recall the principal deity in the art of Chavín de Huántar, but the exuberant treatment of form identifies the style as Cupisnique. Anthracite, the hardest of the various coals, was used extensively to make the mirrors and undecorated containers found in Cupisnique burials, but it is extremely rare as a material for such a highly decorated object. A beautiful metallic luster rewarded the artist who mastered this friable material.
Excerpt from
Label text, A. H. Meadows Galleries.
Fun Facts
- This vessel is accompanied by a lidded container.
Archival Resources
Web Resources
Notes
- Cupisnique, Early Horizon, 900-200 B.C., updated by KJones in TMS on 10/15/13 and 06/18/14.
- Fun Facts Source: TMS, Front Card / Description.
- General Description drawn from: DMA Label Copy (1998.75), n.d.
Catalogue essays
Artist/designers
Cultures
Chavín horizon: AAT: 300017269
Cupisnique (Coast Chavin): AAT: 30017270
Geography
Peru (nation): TGN: 1000056
Jequetepeque (Río): TGN: 1125162
Process/materials
anthracite (coal): AAT: 300015140
carving: AAT: 300053149
incising: AAT: 300053847
polishing (finishing): AAT: 300053867
burnishing (polishing): AAT: 30053869
Historical periods
Early Horizon: AAT: 300017267
Individuals
Subject terms
vessels (containers): AAT: 300193015
cups (drinking vessels): AAT: 300043202
deities: AAT: 300343850
shiny (shine): AAT: 300065244
jaguar: AAT: 300310389
eagle (bird): AAT: 300250049
serpents (snakes/Serpentes suborder): AAT: 300250870
fangs (teeth): DMA
figures: AAT: 300189808
faces (animal or human components): AAT: 300251798
metallic (color attribute): AAT: 300311171
luster (optical property): AAT: 300056162
alligators (animals): AAT: 300252286
caimans (alligators / Crocodilia order / Alligatoridae family): DMA
transformations (concepts / processes): DMA
staff god (Chavín/Early horizon deity): DMA
trophy heads (trophies of war): DMA
trophies (objects): AAT: 300233975
trophies of war (objects): AAT: 300379111
black (color): AAT: 300130920
shiny: AAT: 300065244
shine: AAT: 300065244
RELATED OBJECTS
PROVENANCE
Until 1998: Rare Finds (Michael Bernstein), Tuscon [1]
From 1998: Dallas Museum of Art, The Otis and Velma Davis Dozier Fund, purchased from the above [2]
[1] The main source for this provenance is Object Receipt (dated August 13, 1997, copy in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.
[2] The main source for this provenance is Committee on Collections Record (dated May 12, 1998, copy in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.
AUDIO ASSETS
VIDEO ASSETS
rules
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Objects
number
Equals
1998.75
source file
object_notes_2_b-0240.xml.nores