2002.27.7, "Cawcia" plate, Salviati Glass Works, designed c. 1923, enameled and gilded glass


GENERAL DESCRIPTION  
Between 1880 and 1940, hand-blown Italian glass became extremely popular among America's wealthy elite. This plate was originally part of a large set of stemware ordered in 1938 by Jean Baptiste and Mary Adoue of Dallas. Mr. Adoue succeeded his father in heading the National Bank of Commerce and served as Mayor of Dallas in the early 1950s. According to the Adoue family papers, this pattern was called Cawcia; it features elaborate enamel work depicting hounds running through a field of flowers.

The Salviati Glass Work that made these pieces was one of Italy's foremost producers of luxury table glass. Harkening back to 17th- and 18th-century Venetian glass designs, the pieces in this set are indicative of the conservative tastes that dominated American aesthetics during the first half of the 20th century. Based on virtually identical examples in the collection of the National Design Museum, these pieces are believed to have been made around 1923 by Salviati.

Adapted from
  • Charles L. Venable, Ellen P. Denker, Katherine C. Grier, Stephen G. Harrison, China and Glass in America, 1880-1980: From Tabletop to TV Tray (New York: Harry N. Abrams, Inc., 2000), 449, cat. 123
  • DMA unpublished material.

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PROVENANCE 
Until 2002: J.B. and Mary Adoue, Dallas, Texas

From 2002: Dallas Museum of Art, gift of Mr. Charles A. Robinson from the estate of the above [1]

[1] The main source of provenance is the Collections Records Object File (2002.27.1-7)

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General Description
 
Between 1880 and 1940, hand-blown Italian glass became extremely popular among America's wealthy elite. This plate was originally part of a large set of stemware ordered in 1938 by Jean Baptiste and Mary Adoue of Dallas. Mr. Adoue succeeded his father in heading the National Bank of Commerce and served as Mayor of Dallas in the early 1950s. According to the Adoue family papers, this pattern was called Cawcia; it features elaborate enamel work depicting hounds running through a field of flowers.

The Salviati Glass Work that made these pieces was one of Italy's foremost producers of luxury table glass. Harkening back to 17th- and 18th-century Venetian glass designs, the pieces in this set are indicative of the conservative tastes that dominated American aesthetics during the first half of the 20th century. Based on virtually identical examples in the collection of the National Design Museum, these pieces are believed to have been made around 1923 by Salviati.

Adapted from
  • Charles L. Venable, Ellen P. Denker, Katherine C. Grier, Stephen G. Harrison, China and Glass in America, 1880-1980: From Tabletop to TV Tray (New York: Harry N. Abrams, Inc., 2000), 449, cat. 123
  • DMA unpublished material.

Fun Facts

Archival Resources

Web Resources
 

Notes
READ

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 2002: J.B. and Mary Adoue, Dallas, Texas

From 2002: Dallas Museum of Art, gift of Mr. Charles A. Robinson from the estate of the above [1]

[1] The main source of provenance is the Collections Records Object File (2002.27.1-7)

AUDIO ASSETS 

VIDEO ASSETS

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Objects
number
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2002.27.7
tags
#draft
#completed
%copyedited_Gail
Dallas (Texas/United States): TGN: 7013503
@Bowling
%Archived
luxury (concept / condition): DMA
glassware: AAT: 300010898
glass (material): AAT: 300010797
*Decorative Arts and Design
Italy (nation): TGN: 1000080
Venice (Italy): TGN: 7018159
plates (dishes): AAT: 300042991
dining: AAT: 300379052
floral patterns: AAT: 300010135
flower (motif): AAT: 300375563
blown glass: AAT: 300010832
Murano: TGN: 7003021
source file
object_notes_2_b-0148.xml.nores