1991.75.18, Single ear stud, Etruria, 6th century B.C.E., gold


GENERAL DESCRIPTION  
Although ear studs were apparently less common than a bauletto earrings [1991.75.13.a-b], pictorial representations indicate that they were popular in Etruria during the 6th century BCE. Actual examples, however, are as rare as they are in Greece, where the type seems to have originated, as evidenced by their frequent representation on statues, in vase painting, and on coins. Ear studs consist of a disk, varying in diameter from two to six centimeters, with a hollow tube—usually of silver—projecting from the back. A corresponding rear piece has a narrower tube that fits into the one on the frontal disk. 

This single stud is among the few existing examples, and illustrates a taste for lavish, yet highly organized decoration that was characteristic of Etruscan goldsmiths. It combines repoussé, vegetal appliqués with linear granulation, concentric bands of a pulviscolo granulation, rows of hollow beads, plain and beaded wire, and coiled strips with granulation. The large center may have originally held colored inlay. Despite the face that the goldsmith must have had great experience in producing and applying the innumerable decorative elements, such painstaking decoration was exceptionally laborious. Even so, the price of the gold was probably considerably higher than the cost of the labor.

Adapted from
Barbara Deppert-Lippitz, Ancient Gold Jewelry at the Dallas Museum of Art (Dallas: Dallas Museum of Art in association with the University of Washington Press, 1996), 37; 125.

NOTES
READ
  • updated geo x ref and provenance. entered previously entered provenance as a text entry.
  • publication added as a text entry

Cultures

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Process/materials

Historical periods

Individuals

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RELATED OBJECTS 

PROVENANCE 
Until 1991: probably Collection of Dr. Athos Moretti, Switzerland (presented by Robert Haber, New York) [1]

From 1991: Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc.

[1] based on existing provenance entry in TMS

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WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS
  • Jewelry was far more than merely ornament to the Etruscans; it was often close to being a magic charm or amulet and implied the protection of the gods.

TEACHING IDEAS

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Apply to objects where number equals 1991.75.18













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General Description
 
Although ear studs were apparently less common than a bauletto earrings [1991.75.13.a-b], pictorial representations indicate that they were popular in Etruria during the 6th century BCE. Actual examples, however, are as rare as they are in Greece, where the type seems to have originated, as evidenced by their frequent representation on statues, in vase painting, and on coins. Ear studs consist of a disk, varying in diameter from two to six centimeters, with a hollow tube—usually of silver—projecting from the back. A corresponding rear piece has a narrower tube that fits into the one on the frontal disk. 

This single stud is among the few existing examples, and illustrates a taste for lavish, yet highly organized decoration that was characteristic of Etruscan goldsmiths. It combines repoussé, vegetal appliqués with linear granulation, concentric bands of a pulviscolo granulation, rows of hollow beads, plain and beaded wire, and coiled strips with granulation. The large center may have originally held colored inlay. Despite the face that the goldsmith must have had great experience in producing and applying the innumerable decorative elements, such painstaking decoration was exceptionally laborious. Even so, the price of the gold was probably considerably higher than the cost of the labor.

Adapted from
Barbara Deppert-Lippitz, Ancient Gold Jewelry at the Dallas Museum of Art (Dallas: Dallas Museum of Art in association with the University of Washington Press, 1996), 37; 125.

Fun Facts
  • Jewelry was far more than merely ornament to the Etruscans; it was often close to being a magic charm or amulet and implied the protection of the gods.

Archival Resources

Web Resources
 

Notes
READ
  • updated geo x ref and provenance. entered previously entered provenance as a text entry.
  • publication added as a text entry

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1991: probably Collection of Dr. Athos Moretti, Switzerland (presented by Robert Haber, New York) [1]

From 1991: Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc.

[1] based on existing provenance entry in TMS

AUDIO ASSETS 

VIDEO ASSETS

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Objects
number
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1991.75.18
tags
#draft
#completed
%copyedited_Gail
*Classical Art
@Bowling
ear ornaments: AAT: 300211279
%Archived
inlays (decorations): AAT: 300256033
jewelry: AAT: 300209286
earrings (jewelry): AAT: 300045998
luxury (concept / condition): DMA
metalwork: AAT: 300015336
goldwork: AAT: 300044045
repoussé: AAT: 300054023
gold (metal): AAT: 300011021
metalworking: AAT: 300053946
ancient (style and period): AAT: 300106711
goldsmithing: AAT: 300054048
Etruscan (culture or style): AAT: 300020471
appliqué (technique): AAT: 300053646
granulation: AAT: 300054021
wirework: AAT: 300044077
ear studs (jewelry): AAT: 300411693
source file
object_notes_2_b-0110.xml.nores