1991.75.24, Lion ring with box setting, Etruria, early 5th century B.C.E., gold


GENERAL DESCRIPTION  
In addition their ornamental quality, most rings in antiquity were used for the practical purpose of making impressions upon yielding material. The Etruscan rings in the Dallas Museum of Art's collection illustrate how these two uses coincided; they are signet rings as well as decorative ornaments. The exquisite gold rings of the collection have been considered purely Greek because rings of this type are frequently inlaid with engraved gemstones of Greek iconography and workmanship. However, the typological and stylistic similarities of the lions' manes to those on earrings that are clearly Etruscan (1991.75.27.a-b, 1991.75.28.a-b), leave no doubt about the Etruscan origin of the rings. The now empty bezel of this ring appears to have held a semiprecious stone with an engraved device.

This late Archaic ring, like two others in the DMA's collection (1991.75.26, 1991.75.25), is hollow and was probably cast. The double-lion protome is differently modeled and has engraved details. The nearly rectangular box setting, held by the lions' heads and forepaws, is empty. Bosses that are punched from the inside and surrounded by beaded wires decorate the long edges. Circular holes can be seen on the sides.

Adapted from
Barbara Deppert-Lippitz, Ancient Gold Jewelry at the Dallas Museum of Art (Dallas: Dallas Museum of Art in association with the University of Washington Press, 1996), 38; 130.

NOTES
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Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1991: probably Collection of Dr. Athos Moretti, Switzerland (presented by Robert Haber, New York) [1]

From 1991: Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc.

[1] based on existing provenance entry in TMS

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS
  • Jewelry was far more than merely ornament to the Etruscans; it was often close to being a magic charm or amulet and implied the protection of the gods.

TEACHING IDEAS

RULES
Apply to objects where number equals 1991.75.24








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General Description
 
In addition their ornamental quality, most rings in antiquity were used for the practical purpose of making impressions upon yielding material. The Etruscan rings in the Dallas Museum of Art's collection illustrate how these two uses coincided; they are signet rings as well as decorative ornaments. The exquisite gold rings of the collection have been considered purely Greek because rings of this type are frequently inlaid with engraved gemstones of Greek iconography and workmanship. However, the typological and stylistic similarities of the lions' manes to those on earrings that are clearly Etruscan (1991.75.27.a-b, 1991.75.28.a-b), leave no doubt about the Etruscan origin of the rings. The now empty bezel of this ring appears to have held a semiprecious stone with an engraved device.

This late Archaic ring, like two others in the DMA's collection (1991.75.26, 1991.75.25), is hollow and was probably cast. The double-lion protome is differently modeled and has engraved details. The nearly rectangular box setting, held by the lions' heads and forepaws, is empty. Bosses that are punched from the inside and surrounded by beaded wires decorate the long edges. Circular holes can be seen on the sides.

Adapted from
Barbara Deppert-Lippitz, Ancient Gold Jewelry at the Dallas Museum of Art (Dallas: Dallas Museum of Art in association with the University of Washington Press, 1996), 38; 130.

Fun Facts
  • Jewelry was far more than merely ornament to the Etruscans; it was often close to being a magic charm or amulet and implied the protection of the gods.

Archival Resources

Web Resources
 
Notes
READ

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1991: probably Collection of Dr. Athos Moretti, Switzerland (presented by Robert Haber, New York) [1]

From 1991: Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc.

[1] based on existing provenance entry in TMS

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1991.75.24
tags
#draft
#completed
*Classical Art
@Bowling
hollow (form attribute): AAT: 300163023
%Archived
men: AAT: 300025928
jewelry: AAT: 300209286
metalwork: AAT: 300015336
lions (animals/panthera leo species): AAT: 300310388
goldwork: AAT: 300044045
gold (metal): AAT: 300011021
metalworking: AAT: 300053946
engraving (action): AAT: 300053829
ancient (style and period): AAT: 300106711
goldsmithing: AAT: 300054048
Etruscan (culture or style): AAT: 300020471
rings (object genres): AAT: 300263678
source file
object_notes_2_b-0095.xml.nores