1997.111 Door with protective symbols (baa betamen)


GENERAL DESCRIPTION  
A pair of stylized dog-tigers  (aso’lejau) is carved in low relief on this pivot-style door. The door’s handle serves as the body shared by both animals.

In pre-colonial times, the aso’lejau motif was reserved exclusively for aristocrats and found on entrance doors to the living quarters in longhouses and in the residence of the paramount chief. The carved imagery and the door handle were not considered merely decorative, but meaningful. The mythical dog-tiger, for example, was believed to protect both a chief’s mortal body and his soul from human intruders and evil spirits. The larger animal forming the door handle symbolizes the transition from a chief’s living quarters to the outside world. The placement of smaller, less defined aso, alludes to the complementary relationship between the chief and his people.

Excerpt from
Roslyn A. Walker, Label text, 2013.

NOTES

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PROVENANCE 
1997: Dallas Museum of Art, purchased from Pacific American Corp. (Steven G. Alpert), Dallas, Texas

Notes:
The main source for this provenance is the document "Statement" dated November 4, 1997, in the Collections Records object file (1997.111).

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Apply to objects where number equals 1997.111

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General Description
 
A pair of stylized dog-tigers  (aso’lejau) is carved in low relief on this pivot-style door. The door’s handle serves as the body shared by both animals.

In pre-colonial times, the aso’lejau motif was reserved exclusively for aristocrats and found on entrance doors to the living quarters in longhouses and in the residence of the paramount chief. The carved imagery and the door handle were not considered merely decorative, but meaningful. The mythical dog-tiger, for example, was believed to protect both a chief’s mortal body and his soul from human intruders and evil spirits. The larger animal forming the door handle symbolizes the transition from a chief’s living quarters to the outside world. The placement of smaller, less defined aso, alludes to the complementary relationship between the chief and his people.

Excerpt from
Roslyn A. Walker, Label text, 2013.

Fun Facts

Archival Resources

Web Resources
 

Notes

Catalogue essays

Artist/designers

Cultures

Geography

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
1997: Dallas Museum of Art, purchased from Pacific American Corp. (Steven G. Alpert), Dallas, Texas

Notes:
The main source for this provenance is the document "Statement" dated November 4, 1997, in the Collections Records object file (1997.111).

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1997.111
tags
#draft
#completed
%Archived
handles: AAT: 300024927
mythical or legendary beings: AAT: 300375725
shell (animal material): AAT: 300011829
carving (processes): AAT: 300053149
@Bilal-Gore
wood (plant material): AAT: 300011914
relief (sculpture techniques): AAT: 300053622
disks (object genres): AAT: 300251427
symbol: AAT: 300055878
brass (alloy): AAT: 300010946
*Arts of the Pacific Islands
doors: AAT: 300002803
eyes (animal or human components): AAT: 300400484
Kalimantan Timur: TGN: 1001339
aristocrats: AAT: 300236021
aristocracy (social class): AAT: 300055484
Kayan: DMA
source file
object_notes_2_b-0060.xml.nores