GENERAL DESCRIPTION
Designed at the height of classical style in Athens, this red-figure vase combines movement and monumentality in the main scene, reflecting the influence of contemporary sculpture. The story it tells is an early episode in the life of Helen of Troy, whose later abduction by the Trojan prince, Paris, would lead to the Trojan War. Helen was god-born, the daughter of the Spartan queen Leda and Zeus, who seduced the queen while in the form of a swan. When Helen was young, the hero Theseus, who laid the foundation for Athens’ greatness, tried to steal her from her parents to marry her. He was defeated by her brothers, Castor and Pollux, and she later married Menelaus, king of Sparta. The scene on the vase shows Theseus’s attempted abduction of the girl in a dramatic pose worthy of a battle scene.
The Painter of the Louvre Centauromachy is known from some eighty vases and was a vase painter at a great moment in Athenian ceramics. His name vase in the Louvre is also a dramatic scene, with complex motion well-defined by the painter.
Adapted from
Anne Bromberg, DMA Label copy, 2012.
NOTES
READ
- DMA unpublished material = extended label text from TMS and 2011 acquisition justification
- updated culture to Greek in TMS
- updated provenance and geo x refs
- fixed typo in the dates (it read 479 instead of 470)
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
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PROVENANCE
Late 19th/early 20th century: Private collection (reputedly the Compte de Pourtalès, Hubert de Pourtalès (1863-1949)), France [1]
Mid 20th century: Krimitsas Gallery, Paris
c. 1970: Collection of Michel Cohen, France
Late 1970s-2007: Galerie A La Reine Margot, Paris
2007-2011: Royal Athena Galleries, New York, NY
From 2011: Dallas Museum of Art
[1] The main source for the provenance of this object is the AAMD Object Registry [2011.40]
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MET~See another vase by Painter of the Louvre Centauromachy.
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General Description
Designed at the height of classical style in Athens, this red-figure vase combines movement and monumentality in the main scene, reflecting the influence of contemporary sculpture. The story it tells is an early episode in the life of Helen of Troy, whose later abduction by the Trojan prince, Paris, would lead to the Trojan War. Helen was god-born, the daughter of the Spartan queen Leda and Zeus, who seduced the queen while in the form of a swan. When Helen was young, the hero Theseus, who laid the foundation for Athens’ greatness, tried to steal her from her parents to marry her. He was defeated by her brothers, Castor and Pollux, and she later married Menelaus, king of Sparta. The scene on the vase shows Theseus’s attempted abduction of the girl in a dramatic pose worthy of a battle scene.
The Painter of the Louvre Centauromachy is known from some eighty vases and was a vase painter at a great moment in Athenian ceramics. His name vase in the Louvre is also a dramatic scene, with complex motion well-defined by the painter.
Adapted from
Anne Bromberg, DMA Label copy, 2012.
Fun Facts
Archival Resources
Web Resources
Notes
READ
- DMA unpublished material = extended label text from TMS and 2011 acquisition justification
- updated culture to Greek in TMS
- updated provenance and geo x refs
- fixed typo in the dates (it read 479 instead of 470)
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Late 19th/early 20th century: Private collection (reputedly the Compte de Pourtalès, Hubert de Pourtalès (1863-1949)), France [1]
Mid 20th century: Krimitsas Gallery, Paris
c. 1970: Collection of Michel Cohen, France
Late 1970s-2007: Galerie A La Reine Margot, Paris
2007-2011: Royal Athena Galleries, New York, NY
From 2011: Dallas Museum of Art
[1] The main source for the provenance of this object is the AAMD Object Registry [2011.40]
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