1971.96.A-B Scene from the Tales of Ise


GENERAL DESCRIPTION  
This scene represents episode 12 from the anonymous poetic narrative the Tales of Ise (Ise monogatari). In this vignette, a young man abducts a woman and they make their way to the Musashi Plain pursued by servants of the provincial governor, who are prepared to set fire to the plain to expose the hiding lovers. In response, the woman composes the following poem: 

"Do not set fire today
To the Musashi Plain,
For my beloved 
Is hidden here,
And so am I." [1]

TheTales of Ise, a classic of Japanese literature, was completed by the mid-10th century and, from around the 11th century on, treated in a variety of visual formats. In this painting, Tosa Mitsuyoshi has depicted the conventionalized motif of grasses associated with the Musashi Plain, which viewers familiar with the Tales of Ise would have quickly recognized. 

[1] Helen Craig McCullough, Tales of Ise: Lyrical Episodes from Tenth-century Japan (Stanford: Stanford University Press, 1968), 78.

Drawn from
  • Anne R. Bromberg, Dallas Museum of Art: Selected Works (Dallas: Dallas Museum of Art, 1983), 88.
  • Helen Mitsu Nagata, "Images from the Tales of Ise," in Word and Flower (New Haven: Yale University Art Gallery, 1989), 54-83.

NOTES
Exhibition pending: East Meets West, DMA, 2005

Fun Fact Sources
-Yoshiyuki Nishio, "Examination Report," March 10, 1996, Collections Records object file 1971.16.A-B.
-Notes taken by Anna McFarland during examination of Japanese paintings in DMA collection on July 8, 1994 by Mr. Shinichi Miyajima, Chief Curator, Agency of Cultural Affairs, Tokyo, Collections Records object file 1971.16.A-B.

Catalogue essays

Artist/designers

Cultures

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Individuals

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RELATED OBJECTS 

PROVENANCE 
1971: Dallas Museum of Fine Arts, gift of the Alvin and Lucy Owsley Foundation, purchased from S. Yabumoto Co., Ltd., Tokyo [1]

Notes:
The main source for this provenance is the document titled "Collection: Dallas Museum of Fine Arts" in the Collections Records object file.

[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

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FUN FACTS
  • This painting was originally fusuma sliding doors.

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General Description
 
This scene represents episode 12 from the anonymous poetic narrative the Tales of Ise (Ise monogatari). In this vignette, a young man abducts a woman and they make their way to the Musashi Plain pursued by servants of the provincial governor, who are prepared to set fire to the plain to expose the hiding lovers. In response, the woman composes the following poem: 

"Do not set fire today
To the Musashi Plain,
For my beloved 
Is hidden here,
And so am I." [1]

TheTales of Ise, a classic of Japanese literature, was completed by the mid-10th century and, from around the 11th century on, treated in a variety of visual formats. In this painting, Tosa Mitsuyoshi has depicted the conventionalized motif of grasses associated with the Musashi Plain, which viewers familiar with the Tales of Ise would have quickly recognized. 

[1] Helen Craig McCullough, Tales of Ise: Lyrical Episodes from Tenth-century Japan (Stanford: Stanford University Press, 1968), 78.

Drawn from
  • Anne R. Bromberg, Dallas Museum of Art: Selected Works (Dallas: Dallas Museum of Art, 1983), 88.
  • Helen Mitsu Nagata, "Images from the Tales of Ise," in Word and Flower (New Haven: Yale University Art Gallery, 1989), 54-83.

Fun Facts
  • This painting was originally fusuma sliding doors.

Archival Resources

Web Resources
 

Notes
Exhibition pending: East Meets West, DMA, 2005

Fun Fact Sources
-Yoshiyuki Nishio, "Examination Report," March 10, 1996, Collections Records object file 1971.16.A-B.
-Notes taken by Anna McFarland during examination of Japanese paintings in DMA collection on July 8, 1994 by Mr. Shinichi Miyajima, Chief Curator, Agency of Cultural Affairs, Tokyo, Collections Records object file 1971.16.A-B.

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
1971: Dallas Museum of Fine Arts, gift of the Alvin and Lucy Owsley Foundation, purchased from S. Yabumoto Co., Ltd., Tokyo [1]

Notes:
The main source for this provenance is the document titled "Collection: Dallas Museum of Fine Arts" in the Collections Records object file.

[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

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1971.96.A-B
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@Bilal-Gore
*Arts of Asia
pigment: AAT: 300013109
gold leaf: AAT: 300264831
grasses (plants): AAT: 300132397
ink: AAT: 300015012
poetry: AAT: 300055931
folding screens: AAT: 300265156
love: AAT: 300055165
Momoyama: AAT: 300018563
Mitsuyoshi_Tosa: ULAN: 500120997
Tosa School: AAT: 300018660
source file
object_notes_2_a-0532.xml.nores