GENERAL DESCRIPTION
On the body (badan), diagonal rows of two different sword (parang) designs alternate with bands of squares containing abstract floral images. The sword motif is associated with kris, a men's ritual knife, believed to have magical powers. Once reserved for royalty in Central Java, this design was later worn by non-royalty and then adopted for north coast batik and worn by both men and women.
The head (kepala) has rows of short and long triangles (tumpal) on either side of a central vertical line of diamonds. Broad strips filled with stylized Garuda bird motifs (referencing the Hindu god Vishnu's mount) and beige flowers on an indigo background frame the head. The gandawari (sweetly wafting smell) border, above and below the head, is traditionally a symbol of marriage.
The rigidity of the images suggests that the batik was created with a stamp. The blackish areas result from overlapping soga brown and indigo dyes.
Excerpt from
- Label text, Waxed: Batik from Java, 2016.
NOTES
Catalogue essays
Artist/designers
Cultures
Geography
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RELATED OBJECTS
PROVENANCE
Before 1930: the sister of Paul van Katwijk, collected in Java
n.d.: Jerry and Mary Bywaters, Dallas
From 1982: Dallas Museum of Fine Arts, gift of Jerry and Mary Bywaters in memory of Paul and Viola van Katwijk [1]
The main source for this provenance is the Dallas Museum of Fine Arts Acquisitions Checklist dated February 4, 1983, copy in Dallas Museum of Art Collections Records object file.
[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
- Art Institute of Chicago~Learn more about batik in Java.
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1982.285
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General Description
On the body (badan), diagonal rows of two different sword (parang) designs alternate with bands of squares containing abstract floral images. The sword motif is associated with kris, a men's ritual knife, believed to have magical powers. Once reserved for royalty in Central Java, this design was later worn by non-royalty and then adopted for north coast batik and worn by both men and women.
The head (kepala) has rows of short and long triangles (tumpal) on either side of a central vertical line of diamonds. Broad strips filled with stylized Garuda bird motifs (referencing the Hindu god Vishnu's mount) and beige flowers on an indigo background frame the head. The gandawari (sweetly wafting smell) border, above and below the head, is traditionally a symbol of marriage.
The rigidity of the images suggests that the batik was created with a stamp. The blackish areas result from overlapping soga brown and indigo dyes.
Excerpt from
- Label text, Waxed: Batik from Java, 2016.
Fun Facts
Archival Resources
Web Resources
Notes
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Before 1930: the sister of Paul van Katwijk, collected in Java
n.d.: Jerry and Mary Bywaters, Dallas
From 1982: Dallas Museum of Fine Arts, gift of Jerry and Mary Bywaters in memory of Paul and Viola van Katwijk [1]
The main source for this provenance is the Dallas Museum of Fine Arts Acquisitions Checklist dated February 4, 1983, copy in Dallas Museum of Art Collections Records object file.
[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1982.285
source file
object_notes_2_a-0508.xml.nores