2009.28, Nigel Cooke, Thinker's Retreat, 2008


GENERAL DESCRIPTION  
In this impressively scaled and composed painting, Nigel Cooke presents a fantasy-laden tableau of a broken-down, modernist-looking dystopian architecture that houses what may be the last of the thinkers referenced in the title. The curious central figure wields the hardware of a painter and seems to be going about his craft in a desolate world of abjectness and neglect. In this scene, science fiction, comic books, and art history are all rolled into one, creating an ominous yet somehow playful allegory of the “heroic” artist’s solitary studio practice and the often-heralded death of painting.

Excerpt from
Gabriel Ritter, DMA Label copy, 2014.

NOTES

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 2009: Stuart Shave/Modern Art LLP, London, England 

From 2009: Dallas Museum of Art and The Rachofsky Collection, purchased from above [1]

[1] See invoice #02385 in Collections Records Object File 2009.28

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

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Apply to objects where number equals 2009.28

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General Description
 
In this impressively scaled and composed painting, Nigel Cooke presents a fantasy-laden tableau of a broken-down, modernist-looking dystopian architecture that houses what may be the last of the thinkers referenced in the title. The curious central figure wields the hardware of a painter and seems to be going about his craft in a desolate world of abjectness and neglect. In this scene, science fiction, comic books, and art history are all rolled into one, creating an ominous yet somehow playful allegory of the “heroic” artist’s solitary studio practice and the often-heralded death of painting.

Excerpt from
Gabriel Ritter, DMA Label copy, 2014.

Fun Facts

Archival Resources

Web Resources
 

Notes

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 2009: Stuart Shave/Modern Art LLP, London, England 

From 2009: Dallas Museum of Art and The Rachofsky Collection, purchased from above [1]

[1] See invoice #02385 in Collections Records Object File 2009.28

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
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2009.28
tags
#draft
#completed
%copyedited_Gail
@Bowling
figures (representations): AAT: 300189808
%Archived
painting (visual works): AAT: 300033618
*Contemporary Art
trees (plants): AAT: 300132410
scale (relative size): AAT: 300056307
shadows: AAT: 300056036
painters (artists): AAT: 300025136
buildings (structures): AAT: 300004792
art history (arts-related disciplines): AAT: 300054233
comic book: AAT: 300203177
allegory (artistic device): AAT: 300055866
darkness (concepts): AAT: 300056031
steam (water vapor): AAT: 300011784
fantasy (imagination): AAT: 300068545
dystopias: AAT: 300265314
Cooke_Nigel: ULAN: 500387477
science fiction: AAT: 300055919
source file
object_notes_2_a-0490.xml.nores