GENERAL DESCRIPTION
Michael Hamburger profiles the poet and translator of the same name who meets writer W.G. Sebald in a chapter of his book, The Rings of Saturn. Rather than document the better-known aspects of Hamburger's biography, which include his flight from Nazi Germany in 1933 and his friendship with such literary luminaries as Sebald and Ted Hughes, Dean chooses to focus on Hamburger's deep and winningly idiosyncratic love of apples. Dean's entire film centers around this theme, from the opening shots of windswept apple trees to the eventual entry into Hamburger's rambling home, where his tables are covered with various kinds of apples, as well as books, papers, and other evidence of a life of the mind well and rigorously lived. As Hamburger recounts the story of each species of apple, we come to recognize the poetic solemnity of his singular interest in this fruit as perhaps a way or organizing and making sense of his world that has seen such tumult over the decades, and of avoiding — in a sense quietly renouncing — what he sees as the commercialization and coarseness of the world as it is today.
Adapted from
Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 123.
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PROVENANCE
Until 2009: Marian Goodman Gallery, New York, NY
From 2009: Dallas Museum of Art, purchased from above [1]
[1] See invoice #9214 in Collections Records Object File 2009.20.a-b
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General Description
Michael Hamburger profiles the poet and translator of the same name who meets writer W.G. Sebald in a chapter of his book, The Rings of Saturn. Rather than document the better-known aspects of Hamburger's biography, which include his flight from Nazi Germany in 1933 and his friendship with such literary luminaries as Sebald and Ted Hughes, Dean chooses to focus on Hamburger's deep and winningly idiosyncratic love of apples. Dean's entire film centers around this theme, from the opening shots of windswept apple trees to the eventual entry into Hamburger's rambling home, where his tables are covered with various kinds of apples, as well as books, papers, and other evidence of a life of the mind well and rigorously lived. As Hamburger recounts the story of each species of apple, we come to recognize the poetic solemnity of his singular interest in this fruit as perhaps a way or organizing and making sense of his world that has seen such tumult over the decades, and of avoiding — in a sense quietly renouncing — what he sees as the commercialization and coarseness of the world as it is today.
Adapted from
Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 123.
Fun Facts
Archival Resources
Web Resources
Notes
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 2009: Marian Goodman Gallery, New York, NY
From 2009: Dallas Museum of Art, purchased from above [1]
[1] See invoice #9214 in Collections Records Object File 2009.20.a-b
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2009.20.a-b
source file
object_notes_2_a-0252.xml.nores