GENERAL DESCRIPTION
This 1981 portrait powerfully captures the alienation and defiance that characterized the life and art of David Wojnarowicz. One in a series of photographs taken by his partner, Peter Hujar, this particular view of Wojnarowicz's face is intensely graphic, making the subject's wary gaze all the more dramatic and his expression even more intense.
Proof of Wojnarowicz's trust in Hujar, this unflinching view into another person's mind and spirit is typical of Hujar's singular, even unrelenting, focus. Both Hujar and Wojnarowicz died of complications from AIDS, making this work all the more retrospectively powerful in its recording of a central figure from a downtown New York art milieu that has since vanished.
Adapted from
Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 115.
NOTES
updated provenance and geo x refs
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 2008: Matthew Marks Gallery, New York, NY
From 2008: Dallas Museum of Art, purchased from above [1]
[1] See check #13431 in Collections Records Object File 2008.28
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ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
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Apply to objects where number equals 2008.28
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General Description
This 1981 portrait powerfully captures the alienation and defiance that characterized the life and art of David Wojnarowicz. One in a series of photographs taken by his partner, Peter Hujar, this particular view of Wojnarowicz's face is intensely graphic, making the subject's wary gaze all the more dramatic and his expression even more intense.
Proof of Wojnarowicz's trust in Hujar, this unflinching view into another person's mind and spirit is typical of Hujar's singular, even unrelenting, focus. Both Hujar and Wojnarowicz died of complications from AIDS, making this work all the more retrospectively powerful in its recording of a central figure from a downtown New York art milieu that has since vanished.
Adapted from
Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 115.
Fun Facts
Archival Resources
Web Resources
Notes
updated provenance and geo x refs
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 2008: Matthew Marks Gallery, New York, NY
From 2008: Dallas Museum of Art, purchased from above [1]
[1] See check #13431 in Collections Records Object File 2008.28
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2008.28
source file
object_notes_2_a-0250.xml.nores