2008.28, Peter Hujar, "David Wojnarowicz," 1981


GENERAL DESCRIPTION  
This 1981 portrait powerfully captures the alienation and defiance that characterized the life and art of David Wojnarowicz. One in a series of photographs taken by his partner, Peter Hujar, this particular view of Wojnarowicz's face is intensely graphic, making the subject's wary gaze all the more dramatic and his expression even more intense. 

Proof of Wojnarowicz's trust in Hujar, this unflinching view into another person's mind and spirit is typical of Hujar's singular, even unrelenting, focus. Both Hujar and Wojnarowicz died of complications from AIDS, making this work all the more retrospectively powerful in its recording of a central figure from a downtown New York art milieu that has since vanished.

Adapted from
Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 115.

NOTES
updated provenance and geo x refs

Catalogue essays

Artist/designers

Cultures

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RELATED OBJECTS 

PROVENANCE 
Until 2008: Matthew Marks Gallery, New York, NY

From 2008: Dallas Museum of Art, purchased from above [1]

[1] See check #13431 in Collections Records Object File 2008.28

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Apply to objects where number equals 2008.28

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General Description
 
This 1981 portrait powerfully captures the alienation and defiance that characterized the life and art of David Wojnarowicz. One in a series of photographs taken by his partner, Peter Hujar, this particular view of Wojnarowicz's face is intensely graphic, making the subject's wary gaze all the more dramatic and his expression even more intense. 

Proof of Wojnarowicz's trust in Hujar, this unflinching view into another person's mind and spirit is typical of Hujar's singular, even unrelenting, focus. Both Hujar and Wojnarowicz died of complications from AIDS, making this work all the more retrospectively powerful in its recording of a central figure from a downtown New York art milieu that has since vanished.

Adapted from
Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 115.

Fun Facts

Archival Resources

Web Resources
 

Notes
updated provenance and geo x refs

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 2008: Matthew Marks Gallery, New York, NY

From 2008: Dallas Museum of Art, purchased from above [1]

[1] See check #13431 in Collections Records Object File 2008.28

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
2008.28
tags
#draft
#completed
%copyedited_Gail
@Bowling
figures (representations): AAT: 300189808
%Archived
men: AAT: 300025928
*Contemporary Art
nudity (culture-related concepts): AAT: 300262617
New York (New York/United States): TGN: 7007567
portrait: AAT: 300015637
black-and-white photographs: AAT: 300128347
black-and-white (colors): AAT: 300265434
gaze: AAT: 300263453
series (groups): AAT: 300027349
busts (figure): AAT: 300047457
love: AAT: 300055165
thinking: AAT: 300264547
Wojnarowicz_David: ULAN: 500081953
Hujar_Peter: ULAN: 500001826
source file
object_notes_2_a-0250.xml.nores