1999.208, Gerhard Richter, Mao, 1968, callotype on cardboard


GENERAL DESCRIPTION  
In 1999, the Dallas Museum of Art acquired the complete editioned work of the renowned German artist Gerhard Richter. Dating from the mid-1960s to 1999, the portfolio traces Richter's career, and in doing so provides a concise history of art in the late 20th century through Richter's lens. Richter has contributed to many of the defining movements of the era, including Pop Art, Minimalism, Conceptual Art, and photo-based work. Using photography as both a tool and a source in his art, Richter's editioned works comprise an important, central thread throughout the artist's prolific oeuvre. His use of editions acts as a conceptual extension of questions the artist has considered throughout his career regarding the relationship between original and reproduction, and the generation and proliferation of images.

Adapted from
Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 24.

NOTES
did not get object file, no provenance, no TMS work, HAB

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
Apply to objects where number equals 1999.208

Category
rules_operator
AND
General Description
 
In 1999, the Dallas Museum of Art acquired the complete editioned work of the renowned German artist Gerhard Richter. Dating from the mid-1960s to 1999, the portfolio traces Richter's career, and in doing so provides a concise history of art in the late 20th century through Richter's lens. Richter has contributed to many of the defining movements of the era, including Pop Art, Minimalism, Conceptual Art, and photo-based work. Using photography as both a tool and a source in his art, Richter's editioned works comprise an important, central thread throughout the artist's prolific oeuvre. His use of editions acts as a conceptual extension of questions the artist has considered throughout his career regarding the relationship between original and reproduction, and the generation and proliferation of images.

Adapted from
Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 24.

Fun Facts

Archival Resources

Web Resources
 

Notes
did not get object file, no provenance, no TMS work, HAB

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1999.208
tags
#draft
#completed
%copyedited_Gail
@Bowling
%Archived
men: AAT: 300025928
*Contemporary Art
%TMS pending
black (color): AAT: 300130920
portrait: AAT: 300015637
photography (discipline): AAT: 300389795
postmodern (international style and movement): AAT: 300022208
Richter_Gerhard: ULAN: 500003003
editions: AAT: 300121294
blur: AAT: 300263272
images (object genre): AAT: 300264387
source file
object_notes_2_a-0243.xml.nores