2005.50, Thomas Ruff, jpeg cc01, 2004


GENERAL DESCRIPTION  
Thomas Ruff is a Düsseldorf-based photographer known for the diversity of both technical and conceptual experimentation with the medium. Ruff is especially interested in how photography is easily manipulated and how such manipulation puts the notion of its authenticity into question. jpegcc01 appears to be a low resolution image of a landscape blown up to such a scale that it causes severe pixelation. With clear pixel lines incised across the surface, the viewer must stand at a distance to see the full picture of a cave, located in Copper Canyon. Using JPEGs (the standard compression filed used for Internet images), Ruff salvages such highly mediated images by emphasizing their formal properties, such as the almost impressionistic patchwork of pure squares of color. In doing so, Ruff restores meaning and beauty to what would otherwise be unusable material in fine art photography.

Adapted from
Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 78.

NOTES
updated provenance and geo x refs

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PROVENANCE 
Until 2005: David Zwirner Gallery, New York, NY [1]

From 2005: Dallas Museum of Art, purchased from above

[1] See copy of check #11968 in Collections Records Object File 2005.50

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Apply to objects where number equals 2005.50

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General Description
 
Thomas Ruff is a Düsseldorf-based photographer known for the diversity of both technical and conceptual experimentation with the medium. Ruff is especially interested in how photography is easily manipulated and how such manipulation puts the notion of its authenticity into question. jpegcc01 appears to be a low resolution image of a landscape blown up to such a scale that it causes severe pixelation. With clear pixel lines incised across the surface, the viewer must stand at a distance to see the full picture of a cave, located in Copper Canyon. Using JPEGs (the standard compression filed used for Internet images), Ruff salvages such highly mediated images by emphasizing their formal properties, such as the almost impressionistic patchwork of pure squares of color. In doing so, Ruff restores meaning and beauty to what would otherwise be unusable material in fine art photography.

Adapted from
Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 78.

Fun Facts

Archival Resources

Web Resources
 

Notes
updated provenance and geo x refs

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 2005: David Zwirner Gallery, New York, NY [1]

From 2005: Dallas Museum of Art, purchased from above

[1] See copy of check #11968 in Collections Records Object File 2005.50

AUDIO ASSETS 

VIDEO ASSETS

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2005.50
tags
#draft
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%copyedited_Gail
@Bowling
*Contemporary Art
landscapes (representations): AAT: 300015636
rock (inorganic material): AAT: 300011692
conceptual: AAT: 300264827
scale (relative size): AAT: 300056307
color (perceived attribute): AAT: 300056130
photographs: AAT: 300046300
%NotArchived
caves (landforms): AAT: 300008746
blur: AAT: 300263272
Ruff_Thomas: ULAN: 500110115
pixels: AAT: 300266190
source file
object_notes_2_a-0208.xml.nores