GENERAL DESCRIPTION
Drawing was a central and innovative practice throughout Stephen Antonakos’s life. Wall Hanging Neon is one of a broad and distinctively imaginative series, sometimes called “Project Drawings,” spanning the late 1960s and early 1970s. On these 14 x 22 inch sheets, hundreds of new ideas for spatial work with neon were captured in their spontaneous moment in graphite and colored pencil and with energetic swooshes of Krylon fixative to suggest the activation of space. Generally through this series, the sculptures depicted increase in scale and become more engaged with their architectural sites. Whether realized in neon or not, the dynamic graphic concepts from these years reveal the definitive engagement with formal geometry and space that never stopped. After the early 1970s, Antonakos’s drawings were no longer representational; they became concrete, “real things in real space” themselves. Over the decades, the drawings evolved from images toward objects—but continued the energy and the “active hand” already clear in this essential early series.
Excerpt from
- Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 245.
NOTES
Did not get object file- streamlined process, no provenance. CLC, 11/19/18.
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
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RELATED OBJECTS
PROVENANCE
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
- Documenta 14~View Antonakos's neon installation Remembrance as it was exhibited at Documenta 14.
- Stephen Antonakos~Visit the artist's website to learn more about his life and explore various works and news articles.
ARCHIVAL RESOURCES
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General Description
Drawing was a central and innovative practice throughout Stephen Antonakos’s life. Wall Hanging Neon is one of a broad and distinctively imaginative series, sometimes called “Project Drawings,” spanning the late 1960s and early 1970s. On these 14 x 22 inch sheets, hundreds of new ideas for spatial work with neon were captured in their spontaneous moment in graphite and colored pencil and with energetic swooshes of Krylon fixative to suggest the activation of space. Generally through this series, the sculptures depicted increase in scale and become more engaged with their architectural sites. Whether realized in neon or not, the dynamic graphic concepts from these years reveal the definitive engagement with formal geometry and space that never stopped. After the early 1970s, Antonakos’s drawings were no longer representational; they became concrete, “real things in real space” themselves. Over the decades, the drawings evolved from images toward objects—but continued the energy and the “active hand” already clear in this essential early series.
Excerpt from
- Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 245.
Fun Facts
Archival Resources
Web Resources
- Documenta 14~View Antonakos's neon installation Remembrance as it was exhibited at Documenta 14.
- Stephen Antonakos~Visit the artist's website to learn more about his life and explore various works and news articles.
Notes
Did not get object file- streamlined process, no provenance. CLC, 11/19/18.
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2015.33.6
source file
object_notes_2_a-0142.xml.nores