1998.214 John Sartain, Martial Law (Order No. 11)


GENERAL DESCRIPTION  
dramatic depiction of the turbulence of Reconstruction, this engraving is an excellent example of John Sartain’s ability to manipulate the range of tones between black and white. One of the most prominent engravers of his day, Sartain helped popularize other artists’ works through his reproductions in various art annuals—some of which he founded.

Excerpt from
William Keyse Rudolph, DMA label copy, 2005.

NOTES
Created 1872

July 2005

Catalogue essays

Artist/designers
Engraver: John Sartain
Artist: George Caleb Bingham

Cultures

Geography 
Place of origin: Philadelphia (Pennsylvania/United States): TGN: 7014406

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
1872: James Sidney Rollins, Sr. bought print from the artist. [1]
1872-1998: Owned by Rollins family, passed down to George Bingham Rollins, james Sidney Rollins, Jr., James Sidney Rollins, III (of Columbia, MO), Sarah (Crickett) Rollins Olmstead.
From 1998: Dallas Museum of Art, gift of Sarah (Crickett) Rollins Olmsted

[1] James Sidney Rollins, Sr. paid for the printing of this work.

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS
  • John Sartain was prominent in the Philadelphia art community, serving as director of the 1876 Centennial Exposition in Philadelphia.

TEACHING IDEAS

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Apply to objects where number equals 1998.214

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General Description
 
dramatic depiction of the turbulence of Reconstruction, this engraving is an excellent example of John Sartain’s ability to manipulate the range of tones between black and white. One of the most prominent engravers of his day, Sartain helped popularize other artists’ works through his reproductions in various art annuals—some of which he founded.

Excerpt from
William Keyse Rudolph, DMA label copy, 2005.

Fun Facts
  • John Sartain was prominent in the Philadelphia art community, serving as director of the 1876 Centennial Exposition in Philadelphia.

Archival Resources

Web Resources
 
Notes
Created 1872

July 2005

Catalogue essays

Artist/designers
Engraver: John Sartain
Artist: George Caleb Bingham

Cultures

Geography 
Place of origin: Philadelphia (Pennsylvania/United States): TGN: 7014406

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
1872: James Sidney Rollins, Sr. bought print from the artist. [1]
1872-1998: Owned by Rollins family, passed down to George Bingham Rollins, james Sidney Rollins, Jr., James Sidney Rollins, III (of Columbia, MO), Sarah (Crickett) Rollins Olmstead.
From 1998: Dallas Museum of Art, gift of Sarah (Crickett) Rollins Olmsted

[1] James Sidney Rollins, Sr. paid for the printing of this work.

AUDIO ASSETS 

VIDEO ASSETS

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Objects
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1998.214
tags
#draft
#completed
women: AAT: 300025943
%Archived
men: AAT: 300025928
human figures: AAT: 300404114
*American Art
@Russell
Philadelphia (Pennsylvania/United States): TGN: 7014406
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clouds: AAT: 300343840
children (people by age group): AAT: 300025945
shadows: AAT: 300056036
violence: AAT: 300192799
barefoot: AAT: 300404742
works on paper: AAT: 300189621
%imagefixed
horseback riding (traveling): AAT: 300249313
%copyedited_Chloe
signage: AAT: 300193977
black-and-white (colors): AAT: 300265434
horses (animals): AAT: 300250148
smoke (material): AAT: 300073252
fences (site elements): AAT: 300005044
dogs (animals): AAT: 300250130
wagon: AAT: 300215710
law (discipline): AAT: 300054412
fear: AAT: 300055160
engravings (prints): AAT: 300041340
balconies: AAT: 300002588
source file
object_notes_2_a-0134.xml.nores