GENERAL DESCRIPTION
Jonas Wood paints images from his daily life through a multilayered approach. One of his methods is to collage photographs into compositions that challenge the viewer's sense of space and scale. The artist's process of translating the image across different media records not only the original subject matter but also the distorting and abstracting nature of time. The finished paintings depict images that are personal and yet universal, generating a sense of collective nostalgia for a reconstructed moment in time.
In Untitled (Big Yellow One), Wood takes this process of abstraction further. Potted plants, a prominent feature in his still lifes and interior scenes, are reduced to monochromatic geometric shapes. The resulting forms bring to mind the sculptures of Alexander Calder and the cutout collages of Henri Matisse.
Adapted from
- Label text, 2011.
NOTES
Catalogue essays
Artist/designers
Wood_Jonas: ULAN: 500371800
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
abstraction: AAT: 300056508
collage (technique): AAT: 300138699
distortion (visual and representational concepts): AAT: 300056332
nostalgia: AAT: 300417322
painting (visual works): AAT: 300033618
scale (relative size): AAT: 300056307
space (composition concept): AAT: 300068896
time: AAT: 300133089
RELATED OBJECTS
PROVENANCE
2010: Anton Kern Gallery, New York [1]
From 2010: Amy and Vernon Faulconer (1939-2015), Tyler, Texas, purchased from above
2017: Dallas Museum of Art, gift of Amy and Vernon Faulconer
The main source for this provenance is previously entered information in TMS. Supporting documentation is noted.
[1] See note in TMS text entries by Carol Griffin, referencing an email from Gavin Delahunty, former curator at the Dallas Museum of Art, dated March 27, 2017.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
- Guggenheim~Explore Jonas Wood's biography.
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 2017.45.2
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General Description
Jonas Wood paints images from his daily life through a multilayered approach. One of his methods is to collage photographs into compositions that challenge the viewer's sense of space and scale. The artist's process of translating the image across different media records not only the original subject matter but also the distorting and abstracting nature of time. The finished paintings depict images that are personal and yet universal, generating a sense of collective nostalgia for a reconstructed moment in time.
In Untitled (Big Yellow One), Wood takes this process of abstraction further. Potted plants, a prominent feature in his still lifes and interior scenes, are reduced to monochromatic geometric shapes. The resulting forms bring to mind the sculptures of Alexander Calder and the cutout collages of Henri Matisse.
Adapted from
- Label text, 2011.
Fun Facts
Archival Resources
Web Resources
Notes
Catalogue essays
Artist/designers
Wood_Jonas: ULAN: 500371800
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
abstraction: AAT: 300056508
collage (technique): AAT: 300138699
distortion (visual and representational concepts): AAT: 300056332
nostalgia: AAT: 300417322
painting (visual works): AAT: 300033618
scale (relative size): AAT: 300056307
space (composition concept): AAT: 300068896
time: AAT: 300133089
RELATED OBJECTS
PROVENANCE
2010: Anton Kern Gallery, New York [1]
From 2010: Amy and Vernon Faulconer (1939-2015), Tyler, Texas, purchased from above
2017: Dallas Museum of Art, gift of Amy and Vernon Faulconer
The main source for this provenance is previously entered information in TMS. Supporting documentation is noted.
[1] See note in TMS text entries by Carol Griffin, referencing an email from Gavin Delahunty, former curator at the Dallas Museum of Art, dated March 27, 2017.
AUDIO ASSETS
VIDEO ASSETS
rules
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Objects
number
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2017.45.2
source file
object_notes_1_b-0284.xml.nores