1963.173 Portrait of a Woman


GENERAL DESCRIPTION  
Though we do not know the name of its maker or sitter, we can draw certain conclusions about this painting based on close observation. The woman’s costly attire—a fur-lined jacket, white lace ruffs, and finely woven handkerchief, and abundant jewelry—indicate she belonged to a wealthy family. At the time, viewers would have associated this display of riches with the family crest shown in the upper left corner. In 16th-century German portraiture, the sitter’s status and lineage were of primary concern; paintings like this were often used to negotiate or celebrate marriages, or to reinforce a family’s stature.

Excerpt from
DMA label copy, 2018.

NOTES
Created 16th century

Checked Piction

Questions from the end of the label:  In what ways are portraits used today? Can you think of emblems or logos today that act as a contemporary version of a family crest?

Family Crest is not in object file.

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials
Oil on panel

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
Apply to objects where number equals 1963.173

Category
rules_operator
AND
General Description
 
Though we do not know the name of its maker or sitter, we can draw certain conclusions about this painting based on close observation. The woman’s costly attire—a fur-lined jacket, white lace ruffs, and finely woven handkerchief, and abundant jewelry—indicate she belonged to a wealthy family. At the time, viewers would have associated this display of riches with the family crest shown in the upper left corner. In 16th-century German portraiture, the sitter’s status and lineage were of primary concern; paintings like this were often used to negotiate or celebrate marriages, or to reinforce a family’s stature.

Excerpt from
DMA label copy, 2018.

Fun Facts

Archival Resources

Web Resources
 
Notes
Created 16th century

Checked Piction

Questions from the end of the label:  In what ways are portraits used today? Can you think of emblems or logos today that act as a contemporary version of a family crest?

Family Crest is not in object file.

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials
Oil on panel

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1963.173
tags
#draft
#completed
women: AAT: 300025943
necklaces: AAT: 300046001
@Russell
#routed
*European Art
works on paper: AAT: 300189621
portrait: AAT: 300015637
%copyedited_Chloe
three-quarter views: AAT: 300117363
jackets (garments / saco / chaqueta): AAT: 300046167
lace (needlework): AAT: 300132861
rings (object genres): AAT: 300263678
fur (hair material): AAT: 300011811
handkerchiefs (neckerchiefs / neckcloths): AAT: 300214627
ruffs (collars/neckwear): AAT: 300210072
source file
object_notes_1_b-0253.xml.nores