2008.41, Yayoi Kusama, Accumulation, 1962-64


GENERAL DESCRIPTION  
"I am deeply terrified by the obsessions crawling over my body, whether they come from within me or outside. I fluctuate between feelings of reality and unreality." -- Yayoi Kusama

Obsessive repetition characterizes Yayoi Kusama's art, which ranges from paintings to mixed-media sculptures and performance art. In Accumulation, hundreds of bulging forms transform an everyday chair into an unsettling, yet comical creature. As a child, Kusama suffered from hallucinations. As an adult, her art-making, which entails the monotonous act of covering huge surfaces with intricate patterns and organic shapes, has allowed her to take control of her illness.

Excerpt from
Charlie Wylie, Private Universes, 2009.

NOTES


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PROVENANCE 
n.d.: Galleriea d'Arte del Naviglio, Milan, Italy, acquired directly from the artist

n.d.: Collection Dottore Virgilio Gianni, Milan, Italy

n.d.: Paula Cooper Gallery, New York

n.d.: Private Collection, USA

From 2008: Dallas Museum of Art and The Rachofsky Collection, purchased from Anthony Meier Fine Arts, San Francisco, CA [1] [2]

[1] The main source of this provenance is a document in the Research/Publication folder in Collections Records Object File 2008.41
[2] See check #13657 to Anthony Meier Fine Arts in Collections Records Object File 2008.41

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FUN FACTS

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Apply to objects where number equals 2008.41

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General Description
 
"I am deeply terrified by the obsessions crawling over my body, whether they come from within me or outside. I fluctuate between feelings of reality and unreality." -- Yayoi Kusama

Obsessive repetition characterizes Yayoi Kusama's art, which ranges from paintings to mixed-media sculptures and performance art. In Accumulation, hundreds of bulging forms transform an everyday chair into an unsettling, yet comical creature. As a child, Kusama suffered from hallucinations. As an adult, her art-making, which entails the monotonous act of covering huge surfaces with intricate patterns and organic shapes, has allowed her to take control of her illness.

Excerpt from
Charlie Wylie, Private Universes, 2009.

Fun Facts

Archival Resources

Web Resources
 

Notes


Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
n.d.: Galleriea d'Arte del Naviglio, Milan, Italy, acquired directly from the artist

n.d.: Collection Dottore Virgilio Gianni, Milan, Italy

n.d.: Paula Cooper Gallery, New York

n.d.: Private Collection, USA

From 2008: Dallas Museum of Art and The Rachofsky Collection, purchased from Anthony Meier Fine Arts, San Francisco, CA [1] [2]

[1] The main source of this provenance is a document in the Research/Publication folder in Collections Records Object File 2008.41
[2] See check #13657 to Anthony Meier Fine Arts in Collections Records Object File 2008.41

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
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2008.41
tags
#draft
#completed
%copyedited_Gail
@Bowling
sculpture: AAT: 300047090
%Archived
*Contemporary Art
texture (physical attribute): AAT: 300056362
white (color): AAT: 300129784
repetition (artistic concept): AAT: 300400861
sculpture in the round: AAT: 300047264
form (composition concepts): AAT: 300056272
chairs (furniture): AAT: 300037772
shape (form attribute): AAT: 300056273
soft furnishings: AAT: 300236071
Kusama_Yayoi: ULAN: 500122518
source file
object_notes_1_b-0168.xml.nores