GENERAL DESCRIPTION
A painter of deliberately naïve sensibility, Mamma Andersson composes domestic scenarios gone awry, as in this haunting image of a couch set on fire within a conventional living room. Replete with everyday details such as a television, pictures on the wall, and discarded shoes on a carpeted floor, this banal setting fosters a dramatic event. The title of the work, Gone for Good, is loaded with ambiguous meaning, and Andersson's deft handling of the viscosity and volatility of mixed-media paint enhances the drama of the scene. Her seemingly simple drawing style creates a sinister atmosphere within the typically comforting and secure habitat of home.
Excerpt from
Jeffrey Grove, DMA Label copy, Difference?, 2012
NOTES
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 2006: David Zwirner Gallery, New York, NY [1]
From 2006: Dallas Museum of Art and Howard Rachofsky, purchased from above
[1] See confidential file in Collections Records Object File 2006.40
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 2006.40
Category
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General Description
A painter of deliberately naïve sensibility, Mamma Andersson composes domestic scenarios gone awry, as in this haunting image of a couch set on fire within a conventional living room. Replete with everyday details such as a television, pictures on the wall, and discarded shoes on a carpeted floor, this banal setting fosters a dramatic event. The title of the work, Gone for Good, is loaded with ambiguous meaning, and Andersson's deft handling of the viscosity and volatility of mixed-media paint enhances the drama of the scene. Her seemingly simple drawing style creates a sinister atmosphere within the typically comforting and secure habitat of home.
Excerpt from
Jeffrey Grove, DMA Label copy, Difference?, 2012
Fun Facts
Archival Resources
Web Resources
Notes
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 2006: David Zwirner Gallery, New York, NY [1]
From 2006: Dallas Museum of Art and Howard Rachofsky, purchased from above
[1] See confidential file in Collections Records Object File 2006.40
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2006.40
source file
object_notes_1_b-0116.xml.nores