GENERAL DESCRIPTION
Symbol of Christ's love, the chasuble was traditionally worn by members of the clergy on special occasions. The shape of this chasuble back with an uncrossed central applied panel is typical of those worn in Spain in the 17th and 18th centuries. The front is fiddle shaped. The central vertical blue velvet panel is appliqued with vase and plant motifs and has silver wrapped threads.
Excerpt from
Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 214.
NOTES
TMS Updates
place of origin
provenance
bibliography
classification = updated to include costume
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]
From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]
[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
YouTube~Watch a video to learn more about the history and symbolism of the chasuble, the outermost liturgical vestment.
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1985.R.117
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General Description
Symbol of Christ's love, the chasuble was traditionally worn by members of the clergy on special occasions. The shape of this chasuble back with an uncrossed central applied panel is typical of those worn in Spain in the 17th and 18th centuries. The front is fiddle shaped. The central vertical blue velvet panel is appliqued with vase and plant motifs and has silver wrapped threads.
Excerpt from
Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 214.
Fun Facts
Archival Resources
Web Resources
YouTube~Watch a video to learn more about the history and symbolism of the chasuble, the outermost liturgical vestment.
Notes
TMS Updates
place of origin
provenance
bibliography
classification = updated to include costume
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]
From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]
[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1985.R.117
source file
object_notes_1_a-0450.xml.nores