GENERAL DESCRIPTION
The medieval and Renaissance period produced locks of beautiful case design, but the artists paid less attention to convenience and security than we do today. This imposing lockplate probably adorned a large wood chest. The splayed shape is most often found in Germany.
Adapted from
Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 175.
NOTES
TMS Place of origin
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PROVENANCE
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]
From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]
[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.
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Apply to objects where number equals 1985.R.777
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General Description
The medieval and Renaissance period produced locks of beautiful case design, but the artists paid less attention to convenience and security than we do today. This imposing lockplate probably adorned a large wood chest. The splayed shape is most often found in Germany.
Adapted from
Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 175.
Fun Facts
Archival Resources
Web Resources
Notes
TMS Place of origin
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]
From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]
[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1985.R.777
source file
object_notes_1_a-0442.xml.nores