GENERAL DESCRIPTION
Miniature strongboxes like this example were popular among Europe's wealthy. Because they were made of iron, yet were relatively lightweight and featured a carrying ring, they provided a safe repository for coins, documents, and jewels that could be taken on journeys. This example has the added security feature of being two-faced. One side has the true hasp, the other a false one. Prying hands had to determine which hasp actually covered the keyhole before the lock could successfully be breached.
The designs of heraldic single birds within borders of leafed scrolling vines are copied from engravings of the period. The desired ornament was "masked off" with varnish, and acid was applied to eat away the background. The south German city of Nuremberg was known for this type of etched decoration.
Adapted from
- Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 14.
- Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 178.
NOTES
TMS update
place of origin
publication entry
These miniature strongboxes held coins and jewels, and were easy to carry on journeys. In this one a hasp hides the keyhole. The designs of heraldic single birds within borders of leafed scrolling vines are copied from engravings of the period. Nuremberg was a center for this type of etched ironwork.
Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 178.
Miniature strongboxes like this example were popular among Europe's wealthy. Because they were made of iron, yet were relatively lightweight and featured a carrying ring, they provided a safe repository for coins, documents, and jewels that could be taken on journeys. This example has the added security feature of being two-faced. One side has the true hasp, the other a false one. Prying hands had to determine which hasp actually covered the keyhole before the lock could successfully be breached.
This box is decorated with birds and foliate scrollwork in square reserves. The desired ornament was "masked off" with varnish, and acid was applied to eat away the background. The south German city of Nuremberg was known for this type of etched decoration.
Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 14.
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
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RELATED OBJECTS
PROVENANCE
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]
From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]
[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
Victoria and Albert Museum~Read an article about Acid-etched Metal in Renaissance and Early Modern Europe.
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1985.R.815.A-B
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General Description
Miniature strongboxes like this example were popular among Europe's wealthy. Because they were made of iron, yet were relatively lightweight and featured a carrying ring, they provided a safe repository for coins, documents, and jewels that could be taken on journeys. This example has the added security feature of being two-faced. One side has the true hasp, the other a false one. Prying hands had to determine which hasp actually covered the keyhole before the lock could successfully be breached.
The designs of heraldic single birds within borders of leafed scrolling vines are copied from engravings of the period. The desired ornament was "masked off" with varnish, and acid was applied to eat away the background. The south German city of Nuremberg was known for this type of etched decoration.
Adapted from
- Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 14.
- Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 178.
Fun Facts
Archival Resources
Web Resources
Victoria and Albert Museum~Read an article about Acid-etched Metal in Renaissance and Early Modern Europe.
Notes
TMS update
place of origin
publication entry
These miniature strongboxes held coins and jewels, and were easy to carry on journeys. In this one a hasp hides the keyhole. The designs of heraldic single birds within borders of leafed scrolling vines are copied from engravings of the period. Nuremberg was a center for this type of etched ironwork.
Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 178.
Miniature strongboxes like this example were popular among Europe's wealthy. Because they were made of iron, yet were relatively lightweight and featured a carrying ring, they provided a safe repository for coins, documents, and jewels that could be taken on journeys. This example has the added security feature of being two-faced. One side has the true hasp, the other a false one. Prying hands had to determine which hasp actually covered the keyhole before the lock could successfully be breached.
This box is decorated with birds and foliate scrollwork in square reserves. The desired ornament was "masked off" with varnish, and acid was applied to eat away the background. The south German city of Nuremberg was known for this type of etched decoration.
Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 14.
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]
From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]
[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1985.R.815.A-B
source file
object_notes_1_a-0402.xml.nores