GENERAL DESCRIPTION
In her sculptural installations, Nina Canell explores systems of interconnectivity. Working with the physical phenomena of electricity, infrasound, and time, Canell creates material and linguistic associations that draw relationships between them. Mid-Sentence features optical fiber cables that can be found buried beneath the sea. These cables are typically responsible for long-distance telecommunication or for providing high-speed data connections between different parts of the world. In this sculptural state, fragments of cables exposing their innards are presented as raw specimens. In other instances in the installation, coils of their protective plastic casing can be found melted together, emphasizing their mutability as a material but also signifying an end to any functional capability. The purpose of the small machine plugged into the wall, separately titled Foam-Skin Insulated Jelly Filled Vowel, remains unknown. It conjures the feeling that you are being exposed to some physically undetectable energy or frequency. In their daily use, optical cables transfer data at the speed of light—299,792,458 meters per second—and are designed to speed up decisions and transactions across the globe. The work’s title Mid-Sentence perhaps proposes an omission, a pause, a stumble in this data transmission.
Excerpt from
- Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 262-263.
NOTES
Did not get object file- streamlined process, no provenance. CLC, 11/19/18.
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- Art Viewer~Learn more about Canell's experimentation with electricity, energy, and viscous materials.
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General Description
In her sculptural installations, Nina Canell explores systems of interconnectivity. Working with the physical phenomena of electricity, infrasound, and time, Canell creates material and linguistic associations that draw relationships between them. Mid-Sentence features optical fiber cables that can be found buried beneath the sea. These cables are typically responsible for long-distance telecommunication or for providing high-speed data connections between different parts of the world. In this sculptural state, fragments of cables exposing their innards are presented as raw specimens. In other instances in the installation, coils of their protective plastic casing can be found melted together, emphasizing their mutability as a material but also signifying an end to any functional capability. The purpose of the small machine plugged into the wall, separately titled Foam-Skin Insulated Jelly Filled Vowel, remains unknown. It conjures the feeling that you are being exposed to some physically undetectable energy or frequency. In their daily use, optical cables transfer data at the speed of light—299,792,458 meters per second—and are designed to speed up decisions and transactions across the globe. The work’s title Mid-Sentence perhaps proposes an omission, a pause, a stumble in this data transmission.
Excerpt from
- Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 262-263.
Fun Facts
Archival Resources
Web Resources
- Art Viewer~Learn more about Canell's experimentation with electricity, energy, and viscous materials.
Notes
Did not get object file- streamlined process, no provenance. CLC, 11/19/18.
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2017.3.A-N
source file
object_notes_1_a-0393.xml.nores